Showing 161–192 of 200 resultsSorted by latest
Kandinsky Violet Poster
From: 90,00 zł Kandinsky Violet Poster captivates with its ethereal depiction of the color, inviting viewers to explore the depths of their imagination. Through clean lines and elegant typography, the poster serves as a portal to Kandinsky's spiritual exploration, evoking a sense of transcendence and personal interpretation. It stands as a testament to
Kandinsky Four Parts Poster
From: 90,00 zł Four zones of colour held inside a frame, each built from circles, angles and crossing lines that seem to be in motion, nothing centred, nothing at rest. Kandinsky argued that painting should work like music, colour and form carrying feeling without describing anything. The picture is an argument about balance
Grand Prix Bern 1933 Motorcycle Poster
From: 90,00 zł A rider leaning into a bend, machine and man drawn as one dark silhouette against a solid red ground, the dates 1 and 2 July set across the top in heavy capitals. The poster announces the Grand Prix in Bern of 1933, when motorcycle racing filled the Swiss circuit and
Kandinsky Color Study Poster
From: 90,00 zł Small patches of colour across a pale ground, each enclosed by a drawn boundary, some touching and some held apart, circles meeting squares. The sheet reproduces a colour study by Wassily Kandinsky of the kind he made while teaching at the Bauhaus in the 1920s, where hue was treated as
Joan Miro 1948 Exibition Poster
From: 90,00 zł Joan Miro 1948 Exibition Poster showcases the unique artistic style of Joan Miró. With a harmonious blend of abstraction and surrealism, the poster features vibrant colors, playful forms, and spontaneous brushwork. It serves as an alluring invitation to explore Miró's imaginative and whimsical world, encapsulating the essence of his artistic
William Morris Cray Poster
From: 90,00 zł A repeating pattern of intertwined stems, leaves and small flowers, drawn so the composition has no centre and no edge, the colour held to a few flat tones. Cray is a textile pattern designed by William Morris in 1884, in the years when he was producing wallpapers, fabrics and printed
William Morris Centenary Exhibition Poster
From: 90,00 zł Leaves, stems and small flowers locked into a repeating grid that runs across the whole sheet without a seam. William Morris insisted that ornament be made by hand and by people who could live from it and a centenary exhibition poster carries that argument as a pattern rather than as
The Jazz Festival Montreux 1967 Poster
From: 90,00 zł The Jazz Festival Montreux 1967 Poster embodies the energy and vibrancy of the era, featuring dynamic illustrations of musicians in action. The warm color palette and skillful typography contribute to its captivating appeal. This iconic artwork remains a cherished symbol of the festival's rich history and enduring passion for jazz.
The Flower Love Poster
From: 90,00 zł A flower drawn as a single emblem, petals repeated around a centre, with a heart or a word set beneath it in a hand-lettered face, colour warm and flat. Emblematic flowers belong to a long tradition of printed love tokens, valentines, song sheets, small posters sold at fairs.
Stuart Davis Landscape Space No. 4 Poster
From: 90,00 zł Three colours doing all the work, with heavy black lines weaving between them so no shape sits quietly, space flattened and rhythm set by intervals of colour. The reduction to a handful of tones and an insistent line came out of American painting between the wars, when structure was borrowed
William Morris Pimpernel Poster
From: 90,00 zł A pattern repeating in two directions: leaves and flowers interlaced so densely that the eye cannot find a centre, colour held to two or three flat tones, no top and no bottom. William Morris argued that decoration should be made by hand and understood by everyone and his patterns avoided
William Morris Blackthorn Poster
From: 90,00 zł A pattern of blackthorn branches carrying small blossom and dark berries, drawn so stems curve and cross without ever meeting at a centre, the design repeating in both directions. Blackthorn is one of the repeating patterns designed by William Morris, who worked from plant studies rather than ornament books.
William Morris Snakeshead Poster
From: 90,00 zł Sinuous stems carrying fritillary heads, the flowers at different heights so the pattern moves in a slow rhythm, line even and colour flat. Snakeshead was designed by William Morris in 1876, when his workshop argued that British decoration could be recovered by hand processes and close observation of plants.
Vintage Expo Paris Poster
From: 90,00 zł Industry laid out as a composition: a central structure, figures in motion, lettering above and below like a fairground announcement. World fairs presented products, colonies and ideas of the future all in one park, and their posters had to work at the scale of a boulevard. Seen from a distance.
The Byrds Poster
From: 90,00 zł Flat colour and hand-set lettering, the band name large and slightly irregular, the image simplified to a few shapes with text wrapping around it. Mid-1960s concert posters were printed cheaply for a single night; The Byrds stood at the folk-rock edge of that scene, and their posters became collectable.
Grateful Dead Poster
From: 90,00 zł Lettering that behaves like an illustration, the band name drawn as a shape, curling around a central image, colour printed flat in overlapping areas. San Francisco in the late 1960s produced a poster style of its own and the Dead were at the centre of that scene. The lettering was
Bauhaus Ausstellung 1923
From: 90,00 zł A composition on a strict grid with a strong vertical axis, geometric forms overlapping a central column, lettering drawn as one of the shapes. The school’s first public exhibition, held in Weimar in the summer of 1923, was designed as an argument in itself: buildings, products and printed matter obeying
Geneve Hippique Vintage Poster
From: 90,00 zł A horse and rider drawn in profile, the neck arched and the rider leaning forward, ground suggested by a band of colour. The poster was made by the Swiss painter Maurice Barraud for the Concours Hippique in Geneva in 1943 and it carries his knowledge of the ring: the horse
Classic Cinema Icon Poster
From: 90,00 zł A single object presented as a monument: a silhouette centred on a plain ground, lettering formal beneath it, no scene and no depth. Film advertising learned early that a symbol travelled further than a still, a hat, a profile, a gesture could sell a picture before anyone knew its title.
Basquiat Warrior Poster
From: 90,00 zł Jean-Michel Basquiat, Warrior: a skeletal figure striding out of a blue and ochre field, a white sword raised in one hand, a halo of thorns scratched around its head, the ribs drawn in white sticks. Paint laid on in slabs, chalk lines over the top, nothing finished and nothing accidental. Pigment
Bauhaus Weimar Ausstellung Poster
From: 90,00 zł The Bauhaus Weimar Ausstellung poster is a striking visual homage to the revolutionary 1923 design exhibition, showcasing the minimalist aesthetic and innovative spirit of the Bauhaus movement. With its sharp geometric forms and a bold, reductive color palette, this poster captures the essence of a transformative era in design and
Yayoi Kusama Fruits Poster
From: 90,00 zł Fruit shapes drawn large and covered in dots, each set against a ground of a single colour that pushes the object forward, the pattern following the curve of the form so the fruit looks wrapped rather than decorated. The strategy takes something ordinary and makes it insistent: a fruit repeated
Charming Koala Poster
From: 90,00 zł A koala with a soft, rounded outline on a curving branch, the colour flat, the shapes simplified until the animal reads as a symbol rather than a study. Contemporary work in a long tradition of illustrations made to be understood before they can be read. It sits well low on
Fusion Gallery Blue No 6 Poster
From: 90,00 zł A blue field broken by a few darker shapes cutting diagonally across it, corners empty, centre unresolved, no subject and no horizon at all. A contemporary graphic in the tradition of mid-century abstract printing: flat colour, hard edges, no attempt to suggest depth, one hue at a time.
Fusion Gallery Blue No 4 Poster
From: 90,00 zł A blue field with two darker shapes cutting in from opposite corners, leaving a diagonal passage of lighter colour between them, nothing modelled, edges hard. A contemporary graphic in the tradition of mid-century abstract printing, working one hue at a time so the pieces read as a set.
Bauhaus Circles Poster
From: 90,00 zł Circles of different sizes on a flat ground, overlapping in a rhythm that carries the eye across the sheet, colour applied solid with no shading at all. The Bauhaus taught that circle, square and triangle were the raw material of design and students spent months on these forms before composing
Fusion Gallery Blue No 5 Poster
From: 90,00 zł A field of blue built from overlapping shapes, some sharp and some soft, the edges of the sheet cutting into the composition rather than closing it. A contemporary graphic in the tradition of mid-century abstract printing: flat colour, hard edges, no attempt at depth. The series works one hue at
Moon Series Artistic Poster
From: 90,00 zł A moon reduced to a disc, its surface suggested by a few textured marks, the sky a flat field of colour, composition centred and scale deliberately ambiguous. It could be graphic or a portrait. Images of the moon sit between illustration and diagram and contemporary graphic work borrowed both habits
Taguchi Tomoki Woodblock IX Poster
From: 90,00 zł A single stem rising across the sheet, leaves at intervals, a bird or an insect placed where the eye lands last, contour even, colour inside the line. Woodblock printing was a joint production of designer, cutter and printer and that division of labour produced a discipline visible in the result.
Bauhaus Dots Poster
From: 90,00 zł A field of circles on a grid, some filled, some open, sizes repeated in a rhythm across the sheet, no shading, no subject. The school taught that basic shapes were the raw material of design and that composition meant the relation between them, the arrangement is the picture.
New York Fly Poster
From: 90,00 zł A skyline reduced to a cluster of vertical shapes seen from the water, an aircraft crossing the upper part of the sheet, colour flat, perspective slightly raised. Air travel advertising of the 1950s and 1960s sold time and altitude: the city reachable in an evening, seen from above.
Green Line Vintage Travel Poster
From: 90,00 zł A coach drawn in profile on a road that curves out of the frame, the landscape reduced to hedges and a band of sky, lettering large above the vehicle. Coach companies sold the journey rather than the destination, a seat, a route, a day out and posters answered with a
Collections put together by subject
A hallway with plants asks for botanical work. A kitchen asks for something plain. A child's room asks for colour that can be looked at every day without wearing out.
Start from the subject the room is already about, and the shortlist builds itself.
The collections
- Floral — botanical prints, from Morris patterns to single stems.
- Geometric — grids, circles and bars that organise a wall.
- Travel — railways, resorts and the middle of the last century.
- Music — concert posters and album sleeves at wall size.
- Film — one-sheets and festival posters.
- Ski — alpine resorts, drawn before photography took over.
- Kids — animals and colour, built to survive a nursery.
- Minimal — one image, one wall, nothing competing.
Mixing two collections
If the wall is large enough, two collections can share it — but keep one of them dominant. A third group usually breaks the effect and the wall starts reading as a set of unrelated decisions rather than a collection.
For a single large piece instead of a group, look at minimal or at the iconic prints.
Sizes, paper and delivery
Pigment print on 210 gsm Hahnemühle paper, 30×40 to 70×100 cm plus A3 and A2, frame not included. Dispatched within 24 hours, 3–5 working days inside the EU, in a tracked tube.