Minimal

Minimal posters: one image, one wall, nothing competing

A minimal room is not an empty room — it is a room where every object has been chosen. A poster in that setting has to hold its own without decoration around it: a single form, a restrained palette and enough white space in the print for the wall to breathe. That is the rule this collection follows.

What is in this collection

• Japanese woodblock prints — Onchi Kōshirō and the Taguchi Tomoki woodblock series, including the crane print. Flat colour, fine line and a large area left empty.
• Abstract and hard-edge — Hans Arp, the Arp exhibition poster, Noland, Gottlieb and the Matsutani prints, In the Morning and Propagation.
• Quiet exhibition posters — Miró 1948, Vuillard 1956, Rodin and Stockholm 1930.
• Typography and shape — OOO, Ripe and Colorful Kanji Harmony.

How to choose one

If the wall is bare and the room quiet, take the largest format you can afford and hang one print, centred at eye level. If you already have furniture with strong lines, choose a print with more white space — the Taguchi woodblocks and the Matsutani pieces are the safest. Colour belongs in a room with neutral surfaces; black and white belongs anywhere.

For a pair, combine a woodblock with a hard-edge abstract: the hand-made line against the ruled one. The Scandinavian collection follows the same logic and sits well alongside.

Sizes, paper and delivery

Every poster is printed on Hahnemühle paper and is available in sizes from 30×40 to 70×100 cm, plus A3 and A2. Orders leave the studio within 24 business hours, delivery in the EU takes 3–5 working days (3–6 outside the EU), and every parcel is tracked.

What minimal actually requires

Restraint is harder than abundance: one wrong object ruins an empty room, while a crowded one hides its mistakes. A single well-chosen poster is the cheapest way to get that balance right.

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