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Red Hot Chili Peppers Concert Poster
From: 20,40 € A hand-drawn scene filling the sheet, figures exaggerated into caricature, one colour printed over bare paper, the lettering squeezed into the lower edge. Club flyers of the 1980s were made the way flyers were made then: one screen, one colour, paper to hand, and a drawing quick enough to read
Bob Marley Concert Poster
From: 20,40 € A portrait in flat, warm colour with lettering above and below, the face simplified to a few decisive shapes, the subject looking straight out. Reggae reached Europe and America through concert posters and sleeves long before radio caught up and Bob Marley stood at the centre of that movement.
Picasso Boy Swimming Poster
From: 20,40 € A boy's face framed by a swim ring, the ring drawn as a bold circle of alternating colour and the water left as two flat tones behind him. The image comes from the Mediterranean years of a painter who spent summers working beside the sea, and it shows the lighter
Frida Exhibition Poster
From: 20,40 € A portrait composed rather than observed: the face frontal, hair and clothing treated as pattern, leaves and flowers arranged so the frame becomes part of the subject. Mexican painting of the first half of the twentieth century used the portrait as a stage, drawing on folk art and on votive
Vuillard 1956 Exhibition Poster
From: 20,40 € An interior in muted, close-valued colour: figures in a room, a table, a window, everything slightly flattened. Édouard Vuillard stayed indoors while the avant-garde looked outward, recording the way people sit together, his work entered the public domain in Europe in 2011. The palette stays quiet so the room can
Paris Feminin Poster
From: 20,40 € A figure in a coat shown from the side, the garment drawn as a single shape with a belt and a hat, background reduced to a band of colour, lettering in a light serif. Fashion advertising of the mid-century sold the idea of a woman in a city rather than
Henri Matisse Exhibition Poster
From: 20,40 € A single motif placed off-centre on a pale ground, cut rather than drawn, lettering small and formal beneath it, large enough to read across a room. Retrospective posters brought modern painting to people who would never stand in front of a canvas and Matisse’s cut-outs suited that treatment better than
Picasso Black Poster
From: 20,40 € Dark forms pressed against a lighter ground, a profile broken into planes and reassembled, the drawing in heavy black with no shading at all. The profile belongs to Pablo Picasso’s graphic work and carries the argument of cubism: the picture taken apart and rebuilt from several viewpoints at once.
Sculpture of Matisse Exhibition Poster
From: 20,40 € A sculpture photographed against a plain ground, the body seen from behind and above, the surface left rough where the material was worked. Matisse worked in sculpture throughout his life, returning to the same few poses for decades and simplifying them each time until the figure became a sequence of
Red Hot Chili Peppers 1991 Concert Poster
From: 20,40 € A sun at the centre of the sheet, its rays drawn as straight bars, the lettering built into the rays so that type and light are the same shape, two inks only, one orange and one black. Screen-printed gig posters have their own rules: a bold silhouette and lettering that
Leger 1987 Exhibition Poster
From: 20,40 € Bold tubular forms in strong colour, arranged so they overlap and interlock, with black outlines holding each shape together. The poster commemorates a 1987 exhibition of Fernand Léger’s work and reproduces the vocabulary he built between the wars: cylinders, pistons, pipes and flat colour treated with the confidence of engineering
Jazz Montreux 1983 Poster
From: 20,40 € Figures drawn in one continuous outline, dancing across a saturated ground, bodies simplified until the movement is carried by the shape rather than the detail. The language came out of the New York subway drawings of the early 1980s and travelled into posters, murals and record sleeves, because a line
Rodin Pully Exhibition Poster
From: 20,40 € A sculpture seen from an angle that makes the body look unfinished, the surface rough where the material was worked, the photograph printed in a narrow tonal range. Rodin left tool marks visible and let figures emerge from marble not fully carved away; he died in 1917 and his work
Picasso et la Paix Poster
From: 20,40 € A dove drawn with a few economical lines, wings open, the body simplified to an oval, background a flat field of one colour. The poster was displayed at the Galerie L’Art et La Paix on the Rue de Clichy in Paris, on the theme of Picasso’s commitment to peace and
Van Gogh 1960 Exhibition Poster
From: 20,40 € A painting reproduced at poster scale: heavy brushwork, strong complementary colour, a subject that reads at a distance even when detail dissolves. Retrospective posters of the post-war decades brought a painter’s surface to people who would never stand in front of the canvas. The brush marks survived the printing, which
Yayoi Kusama Infinity Nets Poster
From: 20,40 € An all-over surface of small arcs, painted without a sketch and without a focus point, so the eye keeps travelling and never settles, the pattern running from edge to edge. The nets were started in New York on canvases far larger than the painter, and the intention was repetition as
Bauhaus Ausstellung 1924 Poster
From: 20,40 € Geometric elements on a strict grid, lettering treated as one of the shapes, a handful of strong colour notes and nothing else. By the mid-1920s the printed sheet was the Bauhaus’s main argument in public: the school claimed that typography, layout and object belonged to a single discipline.
Frida on White Bench Poster
From: 20,40 € A seated figure on a plain white bench, drawn frontally, the gaze held straight at the viewer, the background almost empty. Frida Kahlo painted her own life with a directness unusual for her time, her work entered the public domain in Europe in 2025, seventy years after her death.
James Brown Show Poster
From: 20,40 € A figure caught mid-movement, hard outlines filled with flat colour, lettering loud and slightly tilted around him, no background at all. Soul and funk shows of the 1960s were announced with posters printed cheaply and pasted fast and designers answered with exactly what the music did. The sheet was meant
Bauhaus Bayer Poster
From: 20,40 € SCHLESISCHES HEIM in small type at the top left, and the rest is geometry: a red diagonal crossing the sheet, five black wedges growing along it, one thin red rule below. No image, no ornament — a poster built entirely from planes and angles. Pigment print on 210 gsm Hahnemühle paper,
Bauhaus Laszlo Poster - Iconic Modern Art Design Tribute
From: 20,40 € A composition built from one geometric idea: a circle divided, a rectangle cut at an angle, a diagonal holding two planes apart, colour limited to a few flat notes. László Moholy-Nagy taught at the Bauhaus and argued that design should work with light, space and construction rather than decoration.
Charles Demuth Buildings Lancaster Poster
From: 20,40 € Factories and roofs reduced to clean geometry, cylinders, planes, diagonals, in a narrow tonal range, the sky treated as flat space. Charles Demuth belonged to American precisionism, which painted the industrial landscape without nostalgia and returned to his native Lancaster repeatedly in that idiom over three decades. The sky is
The Velvet Underground & Andy Warhol Poster
From: 20,40 € A single object presented without comment: a shape repeated across a plain ground, its surface in flat colour, its outline clean, the lettering small. The poster comes from Andy Warhol’s 1968 college lecture tour, at which The Velvet Underground appeared, an evening that mixed a lecture, a screening and a
Peace and Freedom Poster
From: 20,40 € A word and a shape arguing for the same space: heavy lettering stacked in two lines, a symbol beside it, the paper carrying nothing else, the palette limited to two colours. Protest graphics developed a grammar of its own, with no illustration that could be misread and no decoration that
Matisse Papers Decoupes
From: 20,40 € Shapes cut rather than drawn: leaves, spirals, irregular forms laid on a flat ground, edges sharp, colour single and unmixed, the composition held by rhythm. When painting became physically difficult, Henri Matisse turned to cutting coloured paper until the cut edge became the line. The blade replaced the brush as
Furious Man Poster
From: 20,40 € A face pushed to the front of the sheet, eyes wide, sweat or rain drawn as highlights, background burning in a hot colour, lettering loud above the head. Action cinema of the 1970s built its posters on a single face under pressure, the crop tight, the colour hot.
Theo van Doesburg Bauhaus Poster
From: 20,40 € Rectangles and lines on a strict grid, colour used as structure rather than decoration, the lettering in a geometric face that matches the shapes. Van Doesburg founded De Stijl and argued that painting, architecture and typography should obey one set of rules, then taught that at the Bauhaus.
Les Diablerets Vintage Ski Poster
From: 20,40 € A snow field rising to a ridge, skiers small against the slope, the sky flat and pale, lettering unobtrusive at the base. Swiss ski resorts built their advertising on one proposition, the mountain exists, come and stand on it and answered with space rather than detail. The snow is bare
Cannes 1946 Poster
From: 20,40 € A central emblem with lettering arranged symmetrically above and below, restrained palette, formal drawing. The Cannes Film Festival held its first edition in 1946 after years of wartime postponement, and its early posters were designed as cultural statements rather than as advertising. The restraint is the message: a festival announcing
Montreux Vintage Ski Poster
From: 20,40 € A mountain drawn as a solid mass against a pale sky, a train suggested by a line entering from one side, skiers reduced to small dark figures on the slope. Swiss resort posters of the mid-century sold access as much as altitude: the mountain was the picture, but the railway
Anarchy in the UK Poster
From: 20,40 € Letters cut at angles, ransom-note typography, black and white with one loud accent, nothing aligned to a grid, the sheet looks assembled rather than designed, which was the point. British punk graphics of the late 1970s came from photocopiers, scissors and impatience and advertising borrowed the look wholesale.
The Velvet Underground Poster
From: 20,40 € A composition built from repetition rather than from a subject: a shape repeated across the sheet, colour laid on flat, lettering pressed into the pattern. New York in the late 1960s produced a graphic language that refused West Coast psychedelia, harder edges, colder colour, imagery taken from the city rather
Collections put together by subject
A hallway with plants asks for botanical work. A kitchen asks for something plain. A child's room asks for colour that can be looked at every day without wearing out.
Start from the subject the room is already about, and the shortlist builds itself.
The collections
- Floral — botanical prints, from Morris patterns to single stems.
- Geometric — grids, circles and bars that organise a wall.
- Travel — railways, resorts and the middle of the last century.
- Music — concert posters and album sleeves at wall size.
- Film — one-sheets and festival posters.
- Ski — alpine resorts, drawn before photography took over.
- Kids — animals and colour, built to survive a nursery.
- Minimal — one image, one wall, nothing competing.
Mixing two collections
If the wall is large enough, two collections can share it — but keep one of them dominant. A third group usually breaks the effect and the wall starts reading as a set of unrelated decisions rather than a collection.
For a single large piece instead of a group, look at minimal or at the iconic prints.
Sizes, paper and delivery
Pigment print on 210 gsm Hahnemühle paper, 30×40 to 70×100 cm plus A3 and A2, frame not included. Dispatched within 24 hours, 3–5 working days inside the EU, in a tracked tube.