Showing 129–160 of 200 resultsSorted by latest
Take a Kodak with You Poster
From: 20,40 € A landscape with a figure in the foreground holding a small camera, the scene behind reduced to bands of colour, lettering set as a line across the lower third. Camera advertising between the wars sold memory rather than optics: take the picture, keep the day and the formula survived into
Zermatt 1932 Poster
From: 20,40 € A mountain as a solid mass against a pale sky, snow suggested by absence of colour, a single line of track leading in, lettering small at the base. Swiss resorts sold altitude and air before they sold skiing and the thirties posters developed a language of geometry instead of scenery.
Jimi Hendrix Experience Poster
From: 20,40 € A portrait broken into high-contrast colour, the lettering wrapping around the figure instead of sitting above it, the whole sheet built on one diagonal. Late-1960s concert posters were printed cheaply and pasted on walls; the Jimi Hendrix Experience stood at the centre of that moment and its posters became the
Kandinsky Blau in Rund Und Spitz Poster
From: 20,40 € Kandinsky Blau in Rund Und Spitz Poster showcases his abstract brilliance and vibrant use of colors. It adds sophistication and creative energy to any space, preserving Kandinsky's artistic legacy for admirers worldwide.
Le Corbusier Mains croisees sur la Tete Poster
From: 20,40 € A figure with the hands crossed behind the head, the body drawn once in outline and then filled with colour that ignores the drawing, the face the only place where the line follows anatomy. The method belongs to an architect who drew and painted every morning before turning to buildings.
Stuart Davis Grade A Poster
From: 20,40 € Stuart Davis Grade A Poster showcases his modernist brilliance, preserving his artistic legacy for admirers worldwide. With bold colors and dynamic composition, the poster captivates and inspires in any space.
Soleil Recercle Poster
From: 20,40 € Soleil Recercle Poster by Jean Arp showcases his abstract brilliance, preserving his artistic legacy for admirers worldwide. With geometric shapes and harmonious composition, the poster captivates with Arp's unique vision.
Stuart Davis After Study Poster
From: 20,40 € Stuart Davis After Study Poster captivates with modernist charm and bold colors, preserving Davis' artistic brilliance for future generations to admire and enjoy. Its meticulous reproduction allows art enthusiasts worldwide to appreciate his unique vision and influential style.
Affiche Nana de Herrera Poster
From: 20,40 € A figure in flat, saturated colour against a plain ground, the lettering built into the composition rather than placed on top. This is the commercial poster at its peak: the face reduced to a sign, the pose readable at ten paces, the colour doing all the persuasion. Bold enough for
Stuart Davis Carrefour Poster
From: 20,40 € A street corner taken apart into diagrams: buildings as flat blocks, a kiosk as a silhouette, shadows as single shapes of one tone, with more than half the sheet left as empty paper. The habit behind it belongs to a painter who drew his way around a city by the
Georges Bourgeois L'Inhumaine Poster
From: 20,40 € Marcel L’Herbier’s L’Inhumaine was a 1924 film built as a showcase for modern design, with sets by painters and architects of the day. Georges Bourgeois drew the poster as pure Art Deco: stepped geometry, a profile in silhouette and lettering that behaves like architecture. It suits a hallway or a
Le Corbusier Totem Poster
From: 20,40 € A vertical stack of shapes that balances without being symmetrical: a curve here, a dark rectangle there and a small accent near the top of the sheet. The image reproduces Composition pour Sculpture Totem, a design by Le Corbusier for a vertical sculpture assembled from simple solids, proportions and intervals.
Exposition Constellations Poster
From: 20,40 € A field of dots and lines suggesting a map of the sky, lettering in a modern face, the composition open at the edges, colour separating groups rather than pleasing. Exhibition graphics of the post-war decades often borrowed a diagram as their central image and let structure make the argument.
Henri Matisse Nice Poster
From: 20,40 € A window open onto a bright exterior, the interior reduced to a few flat shapes, the view suggested by bands of colour rather than detail. Matisse worked in Nice for years and painted the same rooms and windows repeatedly, using them as a structure rather than a subject.
Stuart Davis The Blues Poster
From: 20,40 € Two heads in the foreground, drawn large and flat, with the room behind them compressed into blocks of colour and line, and a scale that is deliberately wrong. The picture paints jazz the way jazz sounds: things at different distances pressed flat against each other, rhythm set by repetition and
Mondrian Composition No. II Poster
From: 20,40 € Black lines of different weights dividing a white ground into rectangles, a few filled with primary colour, nothing shaded, nothing centred, balance from unequal parts. De Stijl argued that painting should work with the elements of the medium itself and that grammar later spread into furniture, architecture and print.
Le Corbusier Main et silex Poster
From: 20,40 € A hand and a stone drawn with a single continuous line, the fingers open, the stone held between them, the background blank. Main et silex is a drawing by Le Corbusier and it belongs to a habit he kept for decades: the sketch as a public argument rather than a
Le Cycliste Poster
From: 20,40 € A cyclist in profile, body bent over the bars, the bicycle reduced to two wheels and a frame, motion suggested by posture rather than speed lines. Cycling posters belong to the years when a race was a public event rather than a broadcast and the rider was drawn as a
Vespa Poster
From: 20,40 € A scooter drawn side-on with a clean contour, the body in one colour, wheels and handlebars suggested with a few lines, lettering small and tidy below. Mid-century advertising understood that an object drawn simply travels further than one photographed in detail, the silhouette does the remembering. Nothing is added that
San Francisco Film Festival Poster
From: 20,40 € A graphic reduced to a few shapes and one idea: a form suggesting a screen, a beam or an eye, set on a flat ground with the title in clean type. The poster belongs to the graphic tradition that grew out of film title design in the 1950s and 1960s,
Speed Underground Poster
From: 20,40 € A transport graphic built on repetition: wheels, rails or lines converging, lettering in a geometric face pushed into the composition rather than above it. Public transport advertising had to sell speed to people who had never travelled quickly and it answered with abstraction. The result had to be understood from
Edvard Munch Man's Head in Woman's Hair Poster
From: 20,40 € A face half buried in a mass of hair that fills most of the sheet, lines loose, colour thin, no background and no distance. Norwegian painting at the end of the nineteenth century turned to subjects considered private, anxiety, jealousy, illness and the handling here is deliberately unfinished.
Taguchi Tomoki Woodblock IV Poster
From: 20,40 € Two birds on a branch that enters from the left and stops before the right edge, so the composition leans rather than balances, the contour even and the colour flat. Japanese woodblock printing divided the work between designer, cutter and printer, and the empty paper does half the work here.
Taguchi Tomoki Woodblock III Poster
From: 20,40 € A deep green rectangle filling most of the sheet, with three small birds drawn in silver-grey line across it — wings swept back, mid-flight — and a column of calligraphy down the right-hand edge. Nothing else: green, three birds, paper. Pigment print on 210 gsm Hahnemühle paper, sizes from 30×40 to
Yayoi Kusama 1987 Exhibition Poster
From: 20,40 € Yayoi Kusama 1987 Exhibition Poster represents Yayoi Kusama's 1987 exhibition at the Musee d'Art Moderne De La Ville De Paris. Against a clean background, bold black dots take center stage, showcasing Kusama's iconic motif. The bold typography complements the dots, capturing the essence of Kusama's avant-garde art and inviting viewers
Paul Klee Motif From Hammamet Poster
From: 20,40 € A grid of small colour fields, each slightly different, drawn rather than ruled, pale and close in value, a structure of patches, not a picture. In 1914 Klee travelled to Tunisia and wrote that colour had taken hold of him; the mosaic-like surface he developed afterwards shaped graphic design as
Taguchi Tomoki Crane Poster
From: 20,40 € A crane drawn with a contour of even weight, wings opened, body filled with flat colour, background left as paper, the empty space used as deliberately as the marks. Nineteenth-century Japanese woodblock printing divided the work between designer, cutter and printer and the discipline is visible in the result.
Paul Klee Blossoming Poster
From: 20,40 € Paul Klee Blossoming Poster's vibrant backdrop, colorful and intricate lines depict blooming flowers. The bold typography complements the artwork, capturing Klee's unique artistic style and inviting viewers to celebrate the joy and beauty of nature.
Egon Schiele Seated Woman with Legs Poster
From: 20,40 € A woman seated with her legs drawn across the sheet at an angle, knees sharp, hands clasped, clothing reduced to a few dark shapes, most of the paper left bare. Schiele drew the body as something seen up close and without comfort and the bare ground is part of the
Kandinsky Yellow Red Blue Poster
From: 20,40 € Three colour masses arguing across a pale ground: yellow pulling to one corner, red pressing in from another, a blue curve cutting between them. Kandinsky taught at the Bauhaus and used colour as a system there, assigning weight and direction to hues and treating composition as their relation.
Kandinsky Small Worlds IV Poster
From: 20,40 € A composition built around one thick black ring: diagonal bars in teal, orange and grey cutting across it, a grey bird form, a black chequerboard wedge, small eyes and triangles scattered around, and thin black lines running through everything like wire. Pigment print on 210 gsm Hahnemühle paper, sizes from 30×40
Kandinsky Small Worlds I Poster
From: 20,40 € Thin lines and translucent shapes stacked so that they overlap without hiding each other, like glass laid on paper, triangles and arcs holding the centre. Kandinsky made a portfolio of prints in the early 1920s, testing how far abstraction could go while still holding together as a picture.
Collections put together by subject
A hallway with plants asks for botanical work. A kitchen asks for something plain. A child's room asks for colour that can be looked at every day without wearing out.
Start from the subject the room is already about, and the shortlist builds itself.
The collections
- Floral — botanical prints, from Morris patterns to single stems.
- Geometric — grids, circles and bars that organise a wall.
- Travel — railways, resorts and the middle of the last century.
- Music — concert posters and album sleeves at wall size.
- Film — one-sheets and festival posters.
- Ski — alpine resorts, drawn before photography took over.
- Kids — animals and colour, built to survive a nursery.
- Minimal — one image, one wall, nothing competing.
Mixing two collections
If the wall is large enough, two collections can share it — but keep one of them dominant. A third group usually breaks the effect and the wall starts reading as a set of unrelated decisions rather than a collection.
For a single large piece instead of a group, look at minimal or at the iconic prints.
Sizes, paper and delivery
Pigment print on 210 gsm Hahnemühle paper, 30×40 to 70×100 cm plus A3 and A2, frame not included. Dispatched within 24 hours, 3–5 working days inside the EU, in a tracked tube.