Showing 129–160 of 171 resultsSorted by latest
Kandinsky Four Parts Poster
From: 90,00 zł Four zones of colour held inside a frame, each built from circles, angles and crossing lines that seem to be in motion, nothing centred, nothing at rest. Kandinsky argued that painting should work like music, colour and form carrying feeling without describing anything. The picture is an argument about balance
Kandinsky Color Study Poster
From: 90,00 zł Small patches of colour across a pale ground, each enclosed by a drawn boundary, some touching and some held apart, circles meeting squares. The sheet reproduces a colour study by Wassily Kandinsky of the kind he made while teaching at the Bauhaus in the 1920s, where hue was treated as
Van Gogh View of Saintes-Maries Poster
From: 90,00 zł A coastline seen from a distance, the sea in short horizontal strokes, the sand in longer ones, a few small figures near the water, the horizon set high. Van Gogh painted the Mediterranean coast in the years he worked in the south of France, treating the sea as a surface
Joan Miro 1948 Exibition Poster
From: 90,00 zł Joan Miro 1948 Exibition Poster showcases the unique artistic style of Joan Miró. With a harmonious blend of abstraction and surrealism, the poster features vibrant colors, playful forms, and spontaneous brushwork. It serves as an alluring invitation to explore Miró's imaginative and whimsical world, encapsulating the essence of his artistic
Van Gogh Pink Peach Trees Poster
From: 90,00 zł Blossom against a pale sky, short strokes left visible, the ground a band of warm colour, branches drawn rather than modelled. The orchards of southern France gave Van Gogh a subject he returned to in spring after spring, painted against light that flattened the distance. The blossom is painted as
Van Gogh The Pink Peach Tree Poster
From: 90,00 zł A single peach tree in full blossom filling the frame, its branches drawn as dark, angular lines against clouds of white and pink, the sky a cold blue behind. Behind it, an orchard in flower and a fence; in front, grass painted in short diagonal strokes. Pigment print on 210 gsm
Van Gogh The White Orchard Tree Poster
From: 90,00 zł Van Gogh The White Orchard Tree Poster, capturing his distinctive style and profound connection to nature. It depicts a vibrant orchard scene with swirling brushstrokes and vibrant colors, evoking a sense of tranquility and renewal. The poster serves as a reminder to appreciate the beauty of nature and invites viewers to
Van Gogh Almond Blossom Poster
From: 90,00 zł Branches crossing a pale sky, blossom painted with short even strokes, the blue behind them flat and cool, the tree cropped so it fills the sheet. Van Gogh painted flowering branches in the south of France as a subject of celebration, keeping the sky simple so the blossom would carry
William Morris Cray Poster
From: 90,00 zł A repeating pattern of intertwined stems, leaves and small flowers, drawn so the composition has no centre and no edge, the colour held to a few flat tones. Cray is a textile pattern designed by William Morris in 1884, in the years when he was producing wallpapers, fabrics and printed
William Morris Centenary Exhibition Poster
From: 90,00 zł Leaves, stems and small flowers locked into a repeating grid that runs across the whole sheet without a seam. William Morris insisted that ornament be made by hand and by people who could live from it and a centenary exhibition poster carries that argument as a pattern rather than as
The Jazz Festival Montreux 1967 Poster
From: 90,00 zł The Jazz Festival Montreux 1967 Poster embodies the energy and vibrancy of the era, featuring dynamic illustrations of musicians in action. The warm color palette and skillful typography contribute to its captivating appeal. This iconic artwork remains a cherished symbol of the festival's rich history and enduring passion for jazz.
1977 Swedish Exhibition Poster
From: 90,00 zł Striped bands drawn at precise angles, arranged so a flat sheet appears to contain a solid object floating in the middle of it, the lettering repeated and inverted until it reads as pattern. Scandinavian exhibition graphics of the post-war decades had a taste for optical games, borrowed from op art
The Flower Love Poster
From: 90,00 zł A flower drawn as a single emblem, petals repeated around a centre, with a heart or a word set beneath it in a hand-lettered face, colour warm and flat. Emblematic flowers belong to a long tradition of printed love tokens, valentines, song sheets, small posters sold at fairs.
Stuart Davis Landscape Space No. 4 Poster
From: 90,00 zł Three colours doing all the work, with heavy black lines weaving between them so no shape sits quietly, space flattened and rhythm set by intervals of colour. The reduction to a handful of tones and an insistent line came out of American painting between the wars, when structure was borrowed
St. Mary's Basilica Uwaga Inwazja Poster
From: 90,00 zł A building drawn as flat geometry: towers, roofs and windows in a strong vertical composition, lettering set into the structure. Polish poster design after the war turned cityscape and infrastructure into graphic subjects, treating architecture as pattern without losing its identity. The drawing is simplified until the building can be
Port Cranes Uwaga Inwazja Poster
From: 90,00 zł Cranes, masts and containers arranged in strong geometry, lettering set as part of the structure rather than on top of it, perspective flattened so the harbour reads as a pattern. Polish poster design had a habit of turning infrastructure into graphic art rather than reportage. What could have been reportage
The Crane Uwaga Inwazja Poster
From: 90,00 zł A crane drawn as a construction rather than a machine: masts, cables and counterweights in a strict grid, lettering set into the structure, perspective flattened so the sheet reads as a diagram. Post-war Polish poster design treated infrastructure as a legitimate subject for graphic art rather than as reportage.
Hilma Af Klint Tree of Knowledge No. 7b Poster
From: 90,00 zł Fine lines in symmetry, circles and arcs repeating around a central axis, colour in pale washes, closer to a diagram than to a scene. The abstract series behind it were kept out of public view for years and treat geometry as a language for things that cannot be shown directly.
Helene Schjerfbeck Girl from Eydtkuhnen poster
From: 90,00 zł A girl seated with her hands in her lap, the face turned slightly away, the dress drawn with a few decisive lines, the background almost blank. Helene Schjerfbeck painted the same themes for decades and simplified each one further with every return, working in Finland while modernism was argued elsewhere.
Hilma Af Klint Tree of Knowledge No. 5 Poster
From: 90,00 zł Hilma af Klint, Tree of Knowledge No. 5: a pale green petal shape opening inside two great wings, one black and one white, with a white circle below holding two more petals and a small figure at the base. Fine pencil line, soft washes, and a geometry that feels botanical
Hilma Af Klint Tree of Knowledge No. 2 Poster
From: 90,00 zł Symmetrical forms around a vertical axis, fine lines, pale colour, no horizon and no perspective, the sheet reads as a diagram rather than a scene. Hilma af Klint treated geometry as a language for something that cannot be depicted directly and kept most of her series out of sight.
Hilma Af Klint Tree of Knowledge No. 1 Poster
From: 90,00 zł Symmetrical forms around a central axis, delicate line work and pale colour on a light ground. Hilma af Klint made abstract compositions years before the artists usually credited with inventing abstraction and kept most of them private, this sheet looks closer to a chart or a botanical study than to
Female Seated Model Lundstrom Poster
From: 90,00 zł A woman seated on a low stool, body turned away, head tilted down, the back drawn as one continuous curve, the colour warm and thin. Studio drawing was the foundation of artistic training and painters who kept that habit carried its economy, its drawn rather than described figure, into finished
Hilma Af Klint Tree of Knowledge No. 6 Poster
From: 90,00 zł Fine lines arranged in a symmetrical structure, circles and arcs repeating around an axis, colour applied in pale washes that overlap where the shapes meet. The abstract series behind it treat geometry as a language for things that cannot be shown directly, with colour used as notation rather than decoration.
William Morris Pimpernel Poster
From: 90,00 zł A pattern repeating in two directions: leaves and flowers interlaced so densely that the eye cannot find a centre, colour held to two or three flat tones, no top and no bottom. William Morris argued that decoration should be made by hand and understood by everyone and his patterns avoided
William Morris Blackthorn Poster
From: 90,00 zł A pattern of blackthorn branches carrying small blossom and dark berries, drawn so stems curve and cross without ever meeting at a centre, the design repeating in both directions. Blackthorn is one of the repeating patterns designed by William Morris, who worked from plant studies rather than ornament books.
William Morris Snakeshead Poster
From: 90,00 zł Sinuous stems carrying fritillary heads, the flowers at different heights so the pattern moves in a slow rhythm, line even and colour flat. Snakeshead was designed by William Morris in 1876, when his workshop argued that British decoration could be recovered by hand processes and close observation of plants.
Expo 78 Paris Berlin Poster
From: 90,00 zł Overlapping forms in strong colour, lettering on two axes, a composition that refuses symmetry and looks constructed rather than drawn. In 1978 a major Paris exhibition examined the cultural relationship between Paris and Berlin in the early twentieth century and borrowed its graphics from the period it described.
Vintage Expo Paris Poster
From: 90,00 zł Industry laid out as a composition: a central structure, figures in motion, lettering above and below like a fairground announcement. World fairs presented products, colonies and ideas of the future all in one park, and their posters had to work at the scale of a boulevard. Seen from a distance.
The Byrds Poster
From: 90,00 zł Flat colour and hand-set lettering, the band name large and slightly irregular, the image simplified to a few shapes with text wrapping around it. Mid-1960s concert posters were printed cheaply for a single night; The Byrds stood at the folk-rock edge of that scene, and their posters became collectable.
Grateful Dead Poster
From: 90,00 zł Lettering that behaves like an illustration, the band name drawn as a shape, curling around a central image, colour printed flat in overlapping areas. San Francisco in the late 1960s produced a poster style of its own and the Dead were at the centre of that scene. The lettering was
Bauhaus Ausstellung 1923
From: 90,00 zł A composition on a strict grid with a strong vertical axis, geometric forms overlapping a central column, lettering drawn as one of the shapes. The school’s first public exhibition, held in Weimar in the summer of 1923, was designed as an argument in itself: buildings, products and printed matter obeying
Most wanted posters, and why they stay at the top
These are the sheets that get opened most often here, gathered so the short list can be read at a glance.
The Marley portrait, built out of black halftone with orange and green showing through the face, works from across a room. The Fillmore sheet, where a woman's hair curves around the whole line-up, only works close up, where the names are drawn into the strands. The Tàpies page, a slab of yellow paint written over with sums and one enormous letter, is the quietest of the set and the only one that asks for a wall of its own.
One is enough. Take the image you would still want to look at next year and leave the wall around it empty.