Showing 65–96 of 171 resultsSorted by latest
Schjerfbeck Blond Woman Poster
From: 90,00 zł A portrait reduced until almost nothing remains: an oval face, a suggestion of hair, shoulders disappearing into the ground, the surface worked over. Helene Schjerfbeck returned to the same subjects for decades and simplified them further each time, until her late portraits were almost abstract and only the essentials survived.
Hammershoi Stue Poster
From: 90,00 zł An interior with almost nothing in it: a wall, a door ajar, a chair, light falling across bare floorboards, the palette grey. Vilhelm Hammershøi painted the same Copenhagen rooms for decades with a single figure turned away from the viewer and refused anecdote, bright colour and movement. The emptiness is
Bauhaus Bayer Poster
From: 90,00 zł SCHLESISCHES HEIM in small type at the top left, and the rest is geometry: a red diagonal crossing the sheet, five black wedges growing along it, one thin red rule below. No image, no ornament — a poster built entirely from planes and angles. Pigment print on 210 gsm Hahnemühle paper,
Bauhaus Laszlo Poster - Iconic Modern Art Design Tribute
From: 90,00 zł A composition built from one geometric idea: a circle divided, a rectangle cut at an angle, a diagonal holding two planes apart, colour limited to a few flat notes. László Moholy-Nagy taught at the Bauhaus and argued that design should work with light, space and construction rather than decoration.
Yayoi Kusama Pumpkin
From: 90,00 zł A rounded form covered in a net of repeating dots, each one placed by hand, the pattern bending where the surface curves, the object filling the sheet. The pumpkin is one of the recurring subjects in Yayoi Kusama’s work and the dot is the unit that builds it, repeated until
Charles Demuth Buildings Lancaster Poster
From: 90,00 zł Factories and roofs reduced to clean geometry, cylinders, planes, diagonals, in a narrow tonal range, the sky treated as flat space. Charles Demuth belonged to American precisionism, which painted the industrial landscape without nostalgia and returned to his native Lancaster repeatedly in that idiom over three decades. The sky is
Schjerfbeck The Family Heirloom Poster
From: 90,00 zł An interior with a single figure in muted, close-valued colour, a chair, a wall, a window, everything quiet, the surface worked over. Nordic painting at the beginning of the twentieth century moved away from narrative towards reduction and Helene Schjerfbeck spent decades simplifying her own work in that direction.
Hammershoi Interior with an Easel Poster
From: 90,00 zł A room with an easel standing in it, a door ajar on the left, light falling across bare floorboards and stopping at the wall, with no figure and almost no furniture at all. Vilhelm Hammershøi painted the same Copenhagen interiors for decades, refusing anecdote, bright colour and any movement.
Pure Gold Poster
From: 90,00 zł A field of gold that changes across the sheet: warmer where the light hits, cooler at the edges, a single darker element holding the centre. Metallic grounds have been used in painting and printing for centuries because they refuse to stay still, gold reflects the room rather than describing it,
Organic Gold Poster
From: 90,00 zł A single black line looping and crossing itself over translucent brown and gold shapes, all of it printed on a mottled, grainy ground that looks like old paper or oxidised metal. No text, no frame — just line, stain and texture. Pigment print on 210 gsm Hahnemühle paper, sizes from 30×40
The Velvet Underground & Andy Warhol Poster
From: 90,00 zł A single object presented without comment: a shape repeated across a plain ground, its surface in flat colour, its outline clean, the lettering small. The poster comes from Andy Warhol’s 1968 college lecture tour, at which The Velvet Underground appeared, an evening that mixed a lecture, a screening and a
Matisse Papers Decoupes
From: 90,00 zł Shapes cut rather than drawn: leaves, spirals, irregular forms laid on a flat ground, edges sharp, colour single and unmixed, the composition held by rhythm. When painting became physically difficult, Henri Matisse turned to cutting coloured paper until the cut edge became the line. The blade replaced the brush as
Theo van Doesburg Bauhaus Poster
From: 90,00 zł Rectangles and lines on a strict grid, colour used as structure rather than decoration, the lettering in a geometric face that matches the shapes. Van Doesburg founded De Stijl and argued that painting, architecture and typography should obey one set of rules, then taught that at the Bauhaus.
Cannes 1946 Poster
From: 90,00 zł A central emblem with lettering arranged symmetrically above and below, restrained palette, formal drawing. The Cannes Film Festival held its first edition in 1946 after years of wartime postponement, and its early posters were designed as cultural statements rather than as advertising. The restraint is the message: a festival announcing
Montreux Vintage Ski Poster
From: 90,00 zł A mountain drawn as a solid mass against a pale sky, a train suggested by a line entering from one side, skiers reduced to small dark figures on the slope. Swiss resort posters of the mid-century sold access as much as altitude: the mountain was the picture, but the railway
Anarchy in the UK Poster
From: 90,00 zł Letters cut at angles, ransom-note typography, black and white with one loud accent, nothing aligned to a grid, the sheet looks assembled rather than designed, which was the point. British punk graphics of the late 1970s came from photocopiers, scissors and impatience and advertising borrowed the look wholesale.
The Velvet Underground Poster
From: 90,00 zł A composition built from repetition rather than from a subject: a shape repeated across the sheet, colour laid on flat, lettering pressed into the pattern. New York in the late 1960s produced a graphic language that refused West Coast psychedelia, harder edges, colder colour, imagery taken from the city rather
Take a Kodak with You Poster
From: 90,00 zł A landscape with a figure in the foreground holding a small camera, the scene behind reduced to bands of colour, lettering set as a line across the lower third. Camera advertising between the wars sold memory rather than optics: take the picture, keep the day and the formula survived into
Zermatt 1932 Poster
From: 90,00 zł A mountain as a solid mass against a pale sky, snow suggested by absence of colour, a single line of track leading in, lettering small at the base. Swiss resorts sold altitude and air before they sold skiing and the thirties posters developed a language of geometry instead of scenery.
Tristan Tzara Poster
From: 90,00 zł Tristan Tzara Poster by Jean Arp showcases his artistic genius and abstract style, captivating art enthusiasts worldwide. With organic shapes and harmonious composition, the poster pays tribute to Arp's significant contributions to modern art.
Jimi Hendrix Experience Poster
From: 90,00 zł A portrait broken into high-contrast colour, the lettering wrapping around the figure instead of sitting above it, the whole sheet built on one diagonal. Late-1960s concert posters were printed cheaply and pasted on walls; the Jimi Hendrix Experience stood at the centre of that moment and its posters became the
Walker Art Center Exhibition 1967 Poster
From: 90,00 zł A composition built from a few bold shapes set off-centre, the institution’s name running along the base in a modern sans-serif, colour in flat blocks. American museums in the 1960s began commissioning posters from the designers and artists they exhibited, so the sheet looked like the work inside.
Kandinsky Blau in Rund Und Spitz Poster
From: 90,00 zł Kandinsky Blau in Rund Und Spitz Poster showcases his abstract brilliance and vibrant use of colors. It adds sophistication and creative energy to any space, preserving Kandinsky's artistic legacy for admirers worldwide.
Le Corbusier Mains croisees sur la Tete Poster
From: 90,00 zł A figure with the hands crossed behind the head, the body drawn once in outline and then filled with colour that ignores the drawing, the face the only place where the line follows anatomy. The method belongs to an architect who drew and painted every morning before turning to buildings.
Stuart Davis Grade A Poster
From: 90,00 zł Stuart Davis Grade A Poster showcases his modernist brilliance, preserving his artistic legacy for admirers worldwide. With bold colors and dynamic composition, the poster captivates and inspires in any space.
Henri Matisse 1946 Exhibition Poster
From: 90,00 zł Henri Matisse 1946 Exhibition Poster preserves his artistic brilliance and vibrant storytelling, captivating art enthusiasts worldwide. Displayed in homes or galleries, the poster adds sophistication and cultural richness to any space.
Soleil Recercle Poster
From: 90,00 zł Soleil Recercle Poster by Jean Arp showcases his abstract brilliance, preserving his artistic legacy for admirers worldwide. With geometric shapes and harmonious composition, the poster captivates with Arp's unique vision.
Le Corbusier Petite Confidences Poster
From: 90,00 zł Le Corbusier Petite Confidences Poster showcases his architectural genius and modernist charm, preserving his legacy for admirers and inspiring new generations. Its meticulous reproduction allows enthusiasts to appreciate the bold design and creative vision of this visionary artist and architect.
Stuart Davis After Study Poster
From: 90,00 zł Stuart Davis After Study Poster captivates with modernist charm and bold colors, preserving Davis' artistic brilliance for future generations to admire and enjoy. Its meticulous reproduction allows art enthusiasts worldwide to appreciate his unique vision and influential style.
Affiche Nana de Herrera Poster
From: 90,00 zł A figure in flat, saturated colour against a plain ground, the lettering built into the composition rather than placed on top. This is the commercial poster at its peak: the face reduced to a sign, the pose readable at ten paces, the colour doing all the persuasion. Bold enough for
Stuart Davis Carrefour Poster
From: 90,00 zł A street corner taken apart into diagrams: buildings as flat blocks, a kiosk as a silhouette, shadows as single shapes of one tone, with more than half the sheet left as empty paper. The habit behind it belongs to a painter who drew his way around a city by the
Georges Bourgeois L'Inhumaine Poster
From: 90,00 zł Marcel L’Herbier’s L’Inhumaine was a 1924 film built as a showcase for modern design, with sets by painters and architects of the day. Georges Bourgeois drew the poster as pure Art Deco: stepped geometry, a profile in silhouette and lettering that behaves like architecture. It suits a hallway or a
Most wanted posters, and why they stay at the top
These are the sheets that get opened most often here, gathered so the short list can be read at a glance.
The Marley portrait, built out of black halftone with orange and green showing through the face, works from across a room. The Fillmore sheet, where a woman's hair curves around the whole line-up, only works close up, where the names are drawn into the strands. The Tàpies page, a slab of yellow paint written over with sums and one enormous letter, is the quietest of the set and the only one that asks for a wall of its own.
One is enough. Take the image you would still want to look at next year and leave the wall around it empty.