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Matisse Landscape Poster

From: 90,00 zł
A landscape reduced to overlapping fields of colour, hills as curves and trees as flat shapes, the sky one tone from edge to edge. The painting reproduced here was made by Henri Matisse in 1905 at Collioure, in the summer that gave the Fauves their name, with colour used as

Klee and Kandinsky Poster

From: 90,00 zł
Two graphic languages on one sheet: geometric forms held in strict relation on one side, softer drifting shapes on the other, flat colour throughout. Kandinsky and Klee taught side by side at the Bauhaus and their friendship shaped the school’s thinking about colour, form and the line as a record

Geneve Hippique Vintage Poster

From: 90,00 zł
A horse and rider drawn in profile, the neck arched and the rider leaning forward, ground suggested by a band of colour. The poster was made by the Swiss painter Maurice Barraud for the Concours Hippique in Geneva in 1943 and it carries his knowledge of the ring: the horse

Bauhaus Weimar Ausstellung Poster

From: 90,00 zł
The Bauhaus Weimar Ausstellung poster is a striking visual homage to the revolutionary 1923 design exhibition, showcasing the minimalist aesthetic and innovative spirit of the Bauhaus movement. With its sharp geometric forms and a bold, reductive color palette, this poster captures the essence of a transformative era in design and

Bauhaus Circles Poster

From: 90,00 zł
Circles of different sizes on a flat ground, overlapping in a rhythm that carries the eye across the sheet, colour applied solid with no shading at all. The Bauhaus taught that circle, square and triangle were the raw material of design and students spent months on these forms before composing

Taguchi Tomoki Woodblock IX Poster

From: 90,00 zł
A single stem rising across the sheet, leaves at intervals, a bird or an insect placed where the eye lands last, contour even, colour inside the line. Woodblock printing was a joint production of designer, cutter and printer and that division of labour produced a discipline visible in the result.

Bauhaus Dots Poster

From: 90,00 zł
A field of circles on a grid, some filled, some open, sizes repeated in a rhythm across the sheet, no shading, no subject. The school taught that basic shapes were the raw material of design and that composition meant the relation between them, the arrangement is the picture.

Green Line Vintage Travel Poster

From: 90,00 zł
A coach drawn in profile on a road that curves out of the frame, the landscape reduced to hedges and a band of sky, lettering large above the vehicle. Coach companies sold the journey rather than the destination, a seat, a route, a day out and posters answered with a

Italy Railway Travel Poster

From: 90,00 zł
A landscape along a diagonal: a lake in the middle distance, hills behind, a shoreline in front, lettering small at the base. Railway companies sold scenery as much as seats and Italian posters of the 1920s and 1930s answered with three bands of colour and one horizon. The restraint is

Spring Fashions Arrival Poster

From: 90,00 zł
A figure in the clothes of the season, light line, flat colour, lettering set around the silhouette rather than above it, the pose turned so the garment reads as a shape. Department stores used illustrated posters to announce each season long before photography took over fashion advertising. A drawn silhouette

CafiAspirina Pain Relief Poster

From: 90,00 zł
A product presented as a promise: the package drawn large, a gesture beside it, lettering confident above, palette warm, composition frontal. Patent medicine advertising between the wars was among the most inventive graphic work in Europe and Latin America, strong shape, one colour, a claim. The grammar is the same

Most wanted posters, and why they stay at the top

These are the sheets that get opened most often here, gathered so the short list can be read at a glance.

The Marley portrait, built out of black halftone with orange and green showing through the face, works from across a room. The Fillmore sheet, where a woman's hair curves around the whole line-up, only works close up, where the names are drawn into the strands. The Tàpies page, a slab of yellow paint written over with sums and one enormous letter, is the quietest of the set and the only one that asks for a wall of its own.

One is enough. Take the image you would still want to look at next year and leave the wall around it empty.

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