Showing 97–128 of 171 resultsSorted by latest
Nice Soleil Fleurs Poster
From: 90,00 zł A coastline with a promenade, palm trees as a few dark strokes, the sea one band of blue and the sky a lighter one, lettering large and relaxed. The French Riviera sold itself after the war as a place of light rather than monuments, and its posters answered with colour
Blue Birds Poster
From: 90,00 zł Two black birds wheeling across a night-blue field, with a crescent moon, three stars and the loose brushwork of the sky left visible. The birds are cut out with a cream outline, so they sit on the blue rather than in it. Signed at the lower right. Pigment print on 210
Metropolitan Opera Opening 1966 Poster
From: 90,00 zł A graphic mark rather than an illustration: geometric lines, a strong central form, lettering set tight and formal. When the Metropolitan Opera moved to its new house in 1966, the opening was announced the way a building is announced, with order, symmetry and very little decoration. Symmetry does the work
Exposition Constellations Poster
From: 90,00 zł A field of dots and lines suggesting a map of the sky, lettering in a modern face, the composition open at the edges, colour separating groups rather than pleasing. Exhibition graphics of the post-war decades often borrowed a diagram as their central image and let structure make the argument.
Henri Matisse Nice Poster
From: 90,00 zł A window open onto a bright exterior, the interior reduced to a few flat shapes, the view suggested by bands of colour rather than detail. Matisse worked in Nice for years and painted the same rooms and windows repeatedly, using them as a structure rather than a subject.
Stuart Davis The Blues Poster
From: 90,00 zł Two heads in the foreground, drawn large and flat, with the room behind them compressed into blocks of colour and line, and a scale that is deliberately wrong. The picture paints jazz the way jazz sounds: things at different distances pressed flat against each other, rhythm set by repetition and
Mondrian Composition No. II Poster
From: 90,00 zł Black lines of different weights dividing a white ground into rectangles, a few filled with primary colour, nothing shaded, nothing centred, balance from unequal parts. De Stijl argued that painting should work with the elements of the medium itself and that grammar later spread into furniture, architecture and print.
Le Corbusier Main et silex Poster
From: 90,00 zł A hand and a stone drawn with a single continuous line, the fingers open, the stone held between them, the background blank. Main et silex is a drawing by Le Corbusier and it belongs to a habit he kept for decades: the sketch as a public argument rather than a
Le Cycliste Poster
From: 90,00 zł A cyclist in profile, body bent over the bars, the bicycle reduced to two wheels and a frame, motion suggested by posture rather than speed lines. Cycling posters belong to the years when a race was a public event rather than a broadcast and the rider was drawn as a
Vespa Poster
From: 90,00 zł A scooter drawn side-on with a clean contour, the body in one colour, wheels and handlebars suggested with a few lines, lettering small and tidy below. Mid-century advertising understood that an object drawn simply travels further than one photographed in detail, the silhouette does the remembering. Nothing is added that
San Francisco Film Festival Poster
From: 90,00 zł A graphic reduced to a few shapes and one idea: a form suggesting a screen, a beam or an eye, set on a flat ground with the title in clean type. The poster belongs to the graphic tradition that grew out of film title design in the 1950s and 1960s,
Chapell St. Pierre Poster
From: 90,00 zł Jean Cocteau for the Chapelle Saint-Pierre at Villefranche-sur-Mer: a fisherman drawn in one continuous line, a turquoise wash behind him, and the dedication written by hand across the sheet in Cocteau’s own looping script. Pigment print on 210 gsm Hahnemühle paper, sizes from 30×40 to 70×100 cm plus A3 and A2.
Speed Underground Poster
From: 90,00 zł A transport graphic built on repetition: wheels, rails or lines converging, lettering in a geometric face pushed into the composition rather than above it. Public transport advertising had to sell speed to people who had never travelled quickly and it answered with abstraction. The result had to be understood from
Edvard Munch Man's Head in Woman's Hair Poster
From: 90,00 zł A face half buried in a mass of hair that fills most of the sheet, lines loose, colour thin, no background and no distance. Norwegian painting at the end of the nineteenth century turned to subjects considered private, anxiety, jealousy, illness and the handling here is deliberately unfinished.
Taguchi Tomoki Woodblock IV Poster
From: 90,00 zł Two birds on a branch that enters from the left and stops before the right edge, so the composition leans rather than balances, the contour even and the colour flat. Japanese woodblock printing divided the work between designer, cutter and printer, and the empty paper does half the work here.
Taguchi Tomoki Woodblock III Poster
From: 90,00 zł A deep green rectangle filling most of the sheet, with three small birds drawn in silver-grey line across it — wings swept back, mid-flight — and a column of calligraphy down the right-hand edge. Nothing else: green, three birds, paper. Pigment print on 210 gsm Hahnemühle paper, sizes from 30×40 to
Yayoi Kusama Pumpkin 1998 Poster
From: 90,00 zł Yayoi Kusama Pumpkin 1998 Poster features Yayoi Kusama's artwork titled "Pumpkin 1998." Against a bold black and yellow color scheme, a vibrant pumpkin adorned with polka dots takes center stage. The poster's bold typography complements the artwork, capturing Kusama's playful and immersive artistic style.
Taguchi Tomoki Woodblock II Poster
From: 90,00 zł A botanical plate in which flowers and leaves are drawn with an even, patient line and filled with flat colour, the paper left bare between the stems. The print belongs to Yatsuo no tsubaki, the series Taguchi Tomoki produced between 1860 and 1869, at the end of the Edo period.
Paul Klee Boy in Fancy Dress Poster
From: 90,00 zł Paul Klee Boy in Fancy Dress Poster features Paul Klee's artwork titled "Boy in Fancy Dress" from 1931. The whimsical watercolor and gouache composition depicts a young boy wearing an elaborate costume, inviting viewers into a world of imagination. The artwork captures Klee's unique style, showcasing vibrant colors and playful
Yayoi Kusama 1987 Exhibition Poster
From: 90,00 zł Yayoi Kusama 1987 Exhibition Poster represents Yayoi Kusama's 1987 exhibition at the Musee d'Art Moderne De La Ville De Paris. Against a clean background, bold black dots take center stage, showcasing Kusama's iconic motif. The bold typography complements the dots, capturing the essence of Kusama's avant-garde art and inviting viewers
Taguchi Tomoki Woodblock I Poster
From: 90,00 zł A bird on a branch, the branch drawn first and the bird placed on it, contour of even weight, colour flat inside the line, the sheet mostly paper. Nineteenth-century Japanese woodblock printing was a collaboration of designer, cutter and printer, and the discipline produced an image without shading.
Paul Klee Motif From Hammamet Poster
From: 90,00 zł A grid of small colour fields, each slightly different, drawn rather than ruled, pale and close in value, a structure of patches, not a picture. In 1914 Klee travelled to Tunisia and wrote that colour had taken hold of him; the mosaic-like surface he developed afterwards shaped graphic design as
Taguchi Tomoki Crane Poster
From: 90,00 zł A crane drawn with a contour of even weight, wings opened, body filled with flat colour, background left as paper, the empty space used as deliberately as the marks. Nineteenth-century Japanese woodblock printing divided the work between designer, cutter and printer and the discipline is visible in the result.
Paul Klee Blossoming Poster
From: 90,00 zł Paul Klee Blossoming Poster's vibrant backdrop, colorful and intricate lines depict blooming flowers. The bold typography complements the artwork, capturing Klee's unique artistic style and inviting viewers to celebrate the joy and beauty of nature.
Egon Schiele Secession 49 Ausstellung Poster
From: 90,00 zł Typography as the subject: lettering stacked in a narrow column, weights changing line to line, a small block of colour holding the composition. Exhibition posters of the Vienna Secession treated a notice as a piece of design, type drawn rather than set, space used as an active element.
Egon Schiele Seated Woman with Legs Poster
From: 90,00 zł A woman seated with her legs drawn across the sheet at an angle, knees sharp, hands clasped, clothing reduced to a few dark shapes, most of the paper left bare. Schiele drew the body as something seen up close and without comfort and the bare ground is part of the
Egon Schiele Provocative Art Poster
From: 90,00 zł A standing figure with the arms pulled in and the shoulders twisted, drawn with a nervous line that thickens and thins within a single stroke, the background bare. Viennese drawing at the beginning of the twentieth century treated the body as a subject for honesty rather than for idealisation.
Egon Schiele Artwork Poster
From: 90,00 zł A figure drawn with a hard, economical line, awkwardly posed and cropped by the edge of the sheet, colour applied thinly to a few areas, hands and feet exaggerated. Schiele drew the body as something seen up close and the empty paper does as much work as the marks.
Kandinsky Yellow Red Blue Poster
From: 90,00 zł Three colour masses arguing across a pale ground: yellow pulling to one corner, red pressing in from another, a blue curve cutting between them. Kandinsky taught at the Bauhaus and used colour as a system there, assigning weight and direction to hues and treating composition as their relation.
Kandinsky Small Worlds IV Poster
From: 90,00 zł A composition built around one thick black ring: diagonal bars in teal, orange and grey cutting across it, a grey bird form, a black chequerboard wedge, small eyes and triangles scattered around, and thin black lines running through everything like wire. Pigment print on 210 gsm Hahnemühle paper, sizes from 30×40
Kandinsky Small Worlds I Poster
From: 90,00 zł Thin lines and translucent shapes stacked so that they overlap without hiding each other, like glass laid on paper, triangles and arcs holding the centre. Kandinsky made a portfolio of prints in the early 1920s, testing how far abstraction could go while still holding together as a picture.
Kandinsky Violet Poster
From: 90,00 zł Kandinsky Violet Poster captivates with its ethereal depiction of the color, inviting viewers to explore the depths of their imagination. Through clean lines and elegant typography, the poster serves as a portal to Kandinsky's spiritual exploration, evoking a sense of transcendence and personal interpretation. It stands as a testament to
Most wanted posters, and why they stay at the top
These are the sheets that get opened most often here, gathered so the short list can be read at a glance.
The Marley portrait, built out of black halftone with orange and green showing through the face, works from across a room. The Fillmore sheet, where a woman's hair curves around the whole line-up, only works close up, where the names are drawn into the strands. The Tàpies page, a slab of yellow paint written over with sums and one enormous letter, is the quietest of the set and the only one that asks for a wall of its own.
One is enough. Take the image you would still want to look at next year and leave the wall around it empty.