Showing 193–224 of 308 resultsSorted by latest
Les Diablerets Vintage Ski Poster
From: 90,00 zł A snow field rising to a ridge, skiers small against the slope, the sky flat and pale, lettering unobtrusive at the base. Swiss ski resorts built their advertising on one proposition, the mountain exists, come and stand on it and answered with space rather than detail. The snow is bare
Cannes 1946 Poster
From: 90,00 zł A central emblem with lettering arranged symmetrically above and below, restrained palette, formal drawing. The Cannes Film Festival held its first edition in 1946 after years of wartime postponement, and its early posters were designed as cultural statements rather than as advertising. The restraint is the message: a festival announcing
Montreux Vintage Ski Poster
From: 90,00 zł A mountain drawn as a solid mass against a pale sky, a train suggested by a line entering from one side, skiers reduced to small dark figures on the slope. Swiss resort posters of the mid-century sold access as much as altitude: the mountain was the picture, but the railway
Anarchy in the UK Poster
From: 90,00 zł Letters cut at angles, ransom-note typography, black and white with one loud accent, nothing aligned to a grid, the sheet looks assembled rather than designed, which was the point. British punk graphics of the late 1970s came from photocopiers, scissors and impatience and advertising borrowed the look wholesale.
The Velvet Underground Poster
From: 90,00 zł A composition built from repetition rather than from a subject: a shape repeated across the sheet, colour laid on flat, lettering pressed into the pattern. New York in the late 1960s produced a graphic language that refused West Coast psychedelia, harder edges, colder colour, imagery taken from the city rather
Take a Kodak with You Poster
From: 90,00 zł A landscape with a figure in the foreground holding a small camera, the scene behind reduced to bands of colour, lettering set as a line across the lower third. Camera advertising between the wars sold memory rather than optics: take the picture, keep the day and the formula survived into
Zermatt 1932 Poster
From: 90,00 zł A mountain as a solid mass against a pale sky, snow suggested by absence of colour, a single line of track leading in, lettering small at the base. Swiss resorts sold altitude and air before they sold skiing and the thirties posters developed a language of geometry instead of scenery.
Tristan Tzara Poster
From: 90,00 zł Tristan Tzara Poster by Jean Arp showcases his artistic genius and abstract style, captivating art enthusiasts worldwide. With organic shapes and harmonious composition, the poster pays tribute to Arp's significant contributions to modern art.
Jimi Hendrix Experience Poster
From: 90,00 zł A portrait broken into high-contrast colour, the lettering wrapping around the figure instead of sitting above it, the whole sheet built on one diagonal. Late-1960s concert posters were printed cheaply and pasted on walls; the Jimi Hendrix Experience stood at the centre of that moment and its posters became the
Walker Art Center Exhibition 1967 Poster
From: 90,00 zł A composition built from a few bold shapes set off-centre, the institution’s name running along the base in a modern sans-serif, colour in flat blocks. American museums in the 1960s began commissioning posters from the designers and artists they exhibited, so the sheet looked like the work inside.
Kandinsky Blau in Rund Und Spitz Poster
From: 90,00 zł Kandinsky Blau in Rund Und Spitz Poster showcases his abstract brilliance and vibrant use of colors. It adds sophistication and creative energy to any space, preserving Kandinsky's artistic legacy for admirers worldwide.
Le Corbusier Mains croisees sur la Tete Poster
From: 90,00 zł A figure with the hands crossed behind the head, the body drawn once in outline and then filled with colour that ignores the drawing, the face the only place where the line follows anatomy. The method belongs to an architect who drew and painted every morning before turning to buildings.
Stuart Davis Grade A Poster
From: 90,00 zł Stuart Davis Grade A Poster showcases his modernist brilliance, preserving his artistic legacy for admirers worldwide. With bold colors and dynamic composition, the poster captivates and inspires in any space.
Henri Matisse 1946 Exhibition Poster
From: 90,00 zł Henri Matisse 1946 Exhibition Poster preserves his artistic brilliance and vibrant storytelling, captivating art enthusiasts worldwide. Displayed in homes or galleries, the poster adds sophistication and cultural richness to any space.
Soleil Recercle Poster
From: 90,00 zł Soleil Recercle Poster by Jean Arp showcases his abstract brilliance, preserving his artistic legacy for admirers worldwide. With geometric shapes and harmonious composition, the poster captivates with Arp's unique vision.
Le Corbusier Petite Confidences Poster
From: 90,00 zł Le Corbusier Petite Confidences Poster showcases his architectural genius and modernist charm, preserving his legacy for admirers and inspiring new generations. Its meticulous reproduction allows enthusiasts to appreciate the bold design and creative vision of this visionary artist and architect.
Stuart Davis After Study Poster
From: 90,00 zł Stuart Davis After Study Poster captivates with modernist charm and bold colors, preserving Davis' artistic brilliance for future generations to admire and enjoy. Its meticulous reproduction allows art enthusiasts worldwide to appreciate his unique vision and influential style.
Affiche Nana de Herrera Poster
From: 90,00 zł A figure in flat, saturated colour against a plain ground, the lettering built into the composition rather than placed on top. This is the commercial poster at its peak: the face reduced to a sign, the pose readable at ten paces, the colour doing all the persuasion. Bold enough for
Stuart Davis Carrefour Poster
From: 90,00 zł A street corner taken apart into diagrams: buildings as flat blocks, a kiosk as a silhouette, shadows as single shapes of one tone, with more than half the sheet left as empty paper. The habit behind it belongs to a painter who drew his way around a city by the
Georges Bourgeois L'Inhumaine Poster
From: 90,00 zł Marcel L’Herbier’s L’Inhumaine was a 1924 film built as a showcase for modern design, with sets by painters and architects of the day. Georges Bourgeois drew the poster as pure Art Deco: stepped geometry, a profile in silhouette and lettering that behaves like architecture. It suits a hallway or a
Nice Soleil Fleurs Poster
From: 90,00 zł A coastline with a promenade, palm trees as a few dark strokes, the sea one band of blue and the sky a lighter one, lettering large and relaxed. The French Riviera sold itself after the war as a place of light rather than monuments, and its posters answered with colour
Le Corbusier Totem Poster
From: 90,00 zł A vertical stack of shapes that balances without being symmetrical: a curve here, a dark rectangle there and a small accent near the top of the sheet. The image reproduces Composition pour Sculpture Totem, a design by Le Corbusier for a vertical sculpture assembled from simple solids, proportions and intervals.
Blue Birds Poster
From: 90,00 zł Two black birds wheeling across a night-blue field, with a crescent moon, three stars and the loose brushwork of the sky left visible. The birds are cut out with a cream outline, so they sit on the blue rather than in it. Signed at the lower right. Pigment print on 210
Metropolitan Opera Opening 1966 Poster
From: 90,00 zł A graphic mark rather than an illustration: geometric lines, a strong central form, lettering set tight and formal. When the Metropolitan Opera moved to its new house in 1966, the opening was announced the way a building is announced, with order, symmetry and very little decoration. Symmetry does the work
Exposition Constellations Poster
From: 90,00 zł A field of dots and lines suggesting a map of the sky, lettering in a modern face, the composition open at the edges, colour separating groups rather than pleasing. Exhibition graphics of the post-war decades often borrowed a diagram as their central image and let structure make the argument.
Henri Matisse Nice Poster
From: 90,00 zł A window open onto a bright exterior, the interior reduced to a few flat shapes, the view suggested by bands of colour rather than detail. Matisse worked in Nice for years and painted the same rooms and windows repeatedly, using them as a structure rather than a subject.
Stuart Davis The Blues Poster
From: 90,00 zł Two heads in the foreground, drawn large and flat, with the room behind them compressed into blocks of colour and line, and a scale that is deliberately wrong. The picture paints jazz the way jazz sounds: things at different distances pressed flat against each other, rhythm set by repetition and
Mondrian Composition No. II Poster
From: 90,00 zł Black lines of different weights dividing a white ground into rectangles, a few filled with primary colour, nothing shaded, nothing centred, balance from unequal parts. De Stijl argued that painting should work with the elements of the medium itself and that grammar later spread into furniture, architecture and print.
Le Corbusier Main et silex Poster
From: 90,00 zł A hand and a stone drawn with a single continuous line, the fingers open, the stone held between them, the background blank. Main et silex is a drawing by Le Corbusier and it belongs to a habit he kept for decades: the sketch as a public argument rather than a
Le Cycliste Poster
From: 90,00 zł A cyclist in profile, body bent over the bars, the bicycle reduced to two wheels and a frame, motion suggested by posture rather than speed lines. Cycling posters belong to the years when a race was a public event rather than a broadcast and the rider was drawn as a
Vespa Poster
From: 90,00 zł A scooter drawn side-on with a clean contour, the body in one colour, wheels and handlebars suggested with a few lines, lettering small and tidy below. Mid-century advertising understood that an object drawn simply travels further than one photographed in detail, the silhouette does the remembering. Nothing is added that
San Francisco Film Festival Poster
From: 90,00 zł A graphic reduced to a few shapes and one idea: a form suggesting a screen, a beam or an eye, set on a flat ground with the title in clean type. The poster belongs to the graphic tradition that grew out of film title design in the 1950s and 1960s,