Showing 225–256 of 308 resultsSorted by latest
Chapell St. Pierre Poster
From: 20,40 € Jean Cocteau for the Chapelle Saint-Pierre at Villefranche-sur-Mer: a fisherman drawn in one continuous line, a turquoise wash behind him, and the dedication written by hand across the sheet in Cocteau’s own looping script. Pigment print on 210 gsm Hahnemühle paper, sizes from 30×40 to 70×100 cm plus A3 and A2.
Speed Underground Poster
From: 20,40 € A transport graphic built on repetition: wheels, rails or lines converging, lettering in a geometric face pushed into the composition rather than above it. Public transport advertising had to sell speed to people who had never travelled quickly and it answered with abstraction. The result had to be understood from
Edvard Munch Man's Head in Woman's Hair Poster
From: 20,40 € A face half buried in a mass of hair that fills most of the sheet, lines loose, colour thin, no background and no distance. Norwegian painting at the end of the nineteenth century turned to subjects considered private, anxiety, jealousy, illness and the handling here is deliberately unfinished.
Taguchi Tomoki Woodblock IV Poster
From: 20,40 € Two birds on a branch that enters from the left and stops before the right edge, so the composition leans rather than balances, the contour even and the colour flat. Japanese woodblock printing divided the work between designer, cutter and printer, and the empty paper does half the work here.
Taguchi Tomoki Woodblock III Poster
From: 20,40 € A deep green rectangle filling most of the sheet, with three small birds drawn in silver-grey line across it — wings swept back, mid-flight — and a column of calligraphy down the right-hand edge. Nothing else: green, three birds, paper. Pigment print on 210 gsm Hahnemühle paper, sizes from 30×40 to
Yayoi Kusama Pumpkin 1998 Poster
From: 20,40 € Yayoi Kusama Pumpkin 1998 Poster features Yayoi Kusama's artwork titled "Pumpkin 1998." Against a bold black and yellow color scheme, a vibrant pumpkin adorned with polka dots takes center stage. The poster's bold typography complements the artwork, capturing Kusama's playful and immersive artistic style.
Taguchi Tomoki Woodblock II Poster
From: 20,40 € A botanical plate in which flowers and leaves are drawn with an even, patient line and filled with flat colour, the paper left bare between the stems. The print belongs to Yatsuo no tsubaki, the series Taguchi Tomoki produced between 1860 and 1869, at the end of the Edo period.
Paul Klee Boy in Fancy Dress Poster
From: 20,40 € Paul Klee Boy in Fancy Dress Poster features Paul Klee's artwork titled "Boy in Fancy Dress" from 1931. The whimsical watercolor and gouache composition depicts a young boy wearing an elaborate costume, inviting viewers into a world of imagination. The artwork captures Klee's unique style, showcasing vibrant colors and playful
Yayoi Kusama 1987 Exhibition Poster
From: 20,40 € Yayoi Kusama 1987 Exhibition Poster represents Yayoi Kusama's 1987 exhibition at the Musee d'Art Moderne De La Ville De Paris. Against a clean background, bold black dots take center stage, showcasing Kusama's iconic motif. The bold typography complements the dots, capturing the essence of Kusama's avant-garde art and inviting viewers
Taguchi Tomoki Woodblock I Poster
From: 20,40 € A bird on a branch, the branch drawn first and the bird placed on it, contour of even weight, colour flat inside the line, the sheet mostly paper. Nineteenth-century Japanese woodblock printing was a collaboration of designer, cutter and printer, and the discipline produced an image without shading.
Paul Klee Motif From Hammamet Poster
From: 20,40 € A grid of small colour fields, each slightly different, drawn rather than ruled, pale and close in value, a structure of patches, not a picture. In 1914 Klee travelled to Tunisia and wrote that colour had taken hold of him; the mosaic-like surface he developed afterwards shaped graphic design as
Taguchi Tomoki Crane Poster
From: 20,40 € A crane drawn with a contour of even weight, wings opened, body filled with flat colour, background left as paper, the empty space used as deliberately as the marks. Nineteenth-century Japanese woodblock printing divided the work between designer, cutter and printer and the discipline is visible in the result.
Paul Klee Blossoming Poster
From: 20,40 € Paul Klee Blossoming Poster's vibrant backdrop, colorful and intricate lines depict blooming flowers. The bold typography complements the artwork, capturing Klee's unique artistic style and inviting viewers to celebrate the joy and beauty of nature.
Egon Schiele Secession 49 Ausstellung Poster
From: 20,40 € Typography as the subject: lettering stacked in a narrow column, weights changing line to line, a small block of colour holding the composition. Exhibition posters of the Vienna Secession treated a notice as a piece of design, type drawn rather than set, space used as an active element.
Egon Schiele Seated Woman with Legs Poster
From: 20,40 € A woman seated with her legs drawn across the sheet at an angle, knees sharp, hands clasped, clothing reduced to a few dark shapes, most of the paper left bare. Schiele drew the body as something seen up close and without comfort and the bare ground is part of the
Egon Schiele Provocative Art Poster
From: 20,40 € A standing figure with the arms pulled in and the shoulders twisted, drawn with a nervous line that thickens and thins within a single stroke, the background bare. Viennese drawing at the beginning of the twentieth century treated the body as a subject for honesty rather than for idealisation.
Egon Schiele Artwork Poster
From: 20,40 € A figure drawn with a hard, economical line, awkwardly posed and cropped by the edge of the sheet, colour applied thinly to a few areas, hands and feet exaggerated. Schiele drew the body as something seen up close and the empty paper does as much work as the marks.
Kandinsky Yellow Red Blue Poster
From: 20,40 € Three colour masses arguing across a pale ground: yellow pulling to one corner, red pressing in from another, a blue curve cutting between them. Kandinsky taught at the Bauhaus and used colour as a system there, assigning weight and direction to hues and treating composition as their relation.
Kandinsky Small Worlds IV Poster
From: 20,40 € A composition built around one thick black ring: diagonal bars in teal, orange and grey cutting across it, a grey bird form, a black chequerboard wedge, small eyes and triangles scattered around, and thin black lines running through everything like wire. Pigment print on 210 gsm Hahnemühle paper, sizes from 30×40
Kandinsky Small Worlds I Poster
From: 20,40 € Thin lines and translucent shapes stacked so that they overlap without hiding each other, like glass laid on paper, triangles and arcs holding the centre. Kandinsky made a portfolio of prints in the early 1920s, testing how far abstraction could go while still holding together as a picture.
Kandinsky Violet Poster
From: 20,40 € Kandinsky Violet Poster captivates with its ethereal depiction of the color, inviting viewers to explore the depths of their imagination. Through clean lines and elegant typography, the poster serves as a portal to Kandinsky's spiritual exploration, evoking a sense of transcendence and personal interpretation. It stands as a testament to
Kandinsky Four Parts Poster
From: 20,40 € Four zones of colour held inside a frame, each built from circles, angles and crossing lines that seem to be in motion, nothing centred, nothing at rest. Kandinsky argued that painting should work like music, colour and form carrying feeling without describing anything. The picture is an argument about balance
Grand Prix Bern 1933 Motorcycle Poster
From: 20,40 € A rider leaning into a bend, machine and man drawn as one dark silhouette against a solid red ground, the dates 1 and 2 July set across the top in heavy capitals. The poster announces the Grand Prix in Bern of 1933, when motorcycle racing filled the Swiss circuit and
Kandinsky Color Study Poster
From: 20,40 € Small patches of colour across a pale ground, each enclosed by a drawn boundary, some touching and some held apart, circles meeting squares. The sheet reproduces a colour study by Wassily Kandinsky of the kind he made while teaching at the Bauhaus in the 1920s, where hue was treated as
Van Gogh View of Saintes-Maries Poster
From: 20,40 € A coastline seen from a distance, the sea in short horizontal strokes, the sand in longer ones, a few small figures near the water, the horizon set high. Van Gogh painted the Mediterranean coast in the years he worked in the south of France, treating the sea as a surface
Joan Miro 1948 Exibition Poster
From: 20,40 € Joan Miro 1948 Exibition Poster showcases the unique artistic style of Joan Miró. With a harmonious blend of abstraction and surrealism, the poster features vibrant colors, playful forms, and spontaneous brushwork. It serves as an alluring invitation to explore Miró's imaginative and whimsical world, encapsulating the essence of his artistic
Van Gogh Pink Peach Trees Poster
From: 20,40 € Blossom against a pale sky, short strokes left visible, the ground a band of warm colour, branches drawn rather than modelled. The orchards of southern France gave Van Gogh a subject he returned to in spring after spring, painted against light that flattened the distance. The blossom is painted as
Van Gogh The Pink Peach Tree Poster
From: 20,40 € A single peach tree in full blossom filling the frame, its branches drawn as dark, angular lines against clouds of white and pink, the sky a cold blue behind. Behind it, an orchard in flower and a fence; in front, grass painted in short diagonal strokes. Pigment print on 210 gsm
Van Gogh The White Orchard Tree Poster
From: 20,40 € Van Gogh The White Orchard Tree Poster, capturing his distinctive style and profound connection to nature. It depicts a vibrant orchard scene with swirling brushstrokes and vibrant colors, evoking a sense of tranquility and renewal. The poster serves as a reminder to appreciate the beauty of nature and invites viewers to
Van Gogh Almond Blossom Poster
From: 20,40 € Branches crossing a pale sky, blossom painted with short even strokes, the blue behind them flat and cool, the tree cropped so it fills the sheet. Van Gogh painted flowering branches in the south of France as a subject of celebration, keeping the sky simple so the blossom would carry
William Morris Cray Poster
From: 20,40 € A repeating pattern of intertwined stems, leaves and small flowers, drawn so the composition has no centre and no edge, the colour held to a few flat tones. Cray is a textile pattern designed by William Morris in 1884, in the years when he was producing wallpapers, fabrics and printed
William Morris Centenary Exhibition Poster
From: 20,40 € Leaves, stems and small flowers locked into a repeating grid that runs across the whole sheet without a seam. William Morris insisted that ornament be made by hand and by people who could live from it and a centenary exhibition poster carries that argument as a pattern rather than as