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Bauhaus Pneumatik Poster

From: 20,40 €
Lettering set along an arc, as though following the curve of a tyre, with a small car placed high to the left. In the 1920s advertising took up the Bauhaus argument that type is a constructed object, not a written line, here the word is the image and the arrangement

Intergalactic Ramen Poster

From: 20,40 €
A bowl of noodles treated as a graphic object: bowl as shape, noodles as lines, steam as a few curves, the background in a colour that has nothing to do with food. Japanese food graphics have a long tradition of making the ordinary look strange and desirable at once.

Japanese Cocktail Poster

From: 20,40 €
A glass drawn with a few confident lines, its contents suggested by bands of colour, a small garnish on the rim, lettering set in a column to one side. Japan developed its own language of commercial graphics after the war: flat colour, simple silhouettes, type treated as a graphic element

Dune Landscape Arrakis Poster

From: 20,40 €
The Dune Landscape Arrakis Poster is a striking portrayal of the celestial event over the iconic dunes of Arrakis. It's an artistic nod to the Dune saga, perfect for adding a touch of otherworldly elegance to any space. Elevate your home with this captivating print, where science fiction meets art.

Noland Turnsole Poster

From: 20,40 €
Bands of colour running edge to edge, each a different width, the surface flat and unmixed, no frame and no centre. The painting belongs to Kenneth Noland’s Turnsole series of the 1960s, where the picture is reduced to the behaviour of adjacent hues and the eye does the rest.

Arrakis Dunes Art Poster

From: 20,40 €
Close on the dunes: ridges drawn as hundreds of fine parallel lines, sand in ochre and rust, a huge orange planet hanging above the crest, and DUNE lettered faintly into the sky. The whole picture is texture — no figures, no horizon, just wind on sand. Pigment print on 210 gsm

Iconic Andy Warhol Pop Art Poster

From: 20,40 €
The same face repeated across a grid, each panel identical in drawing and different in colour, so the sheet reads as pattern at a distance and as a portrait up close. The method came out of the screen-printing workshops of the 1960s: one photograph, one set of stencils, unlimited colour

Dune Desert Poster

From: 20,40 €
Sand filling almost the whole frame, ridges running to a low horizon, a single figure standing small against a dune, with no props and no drama. A desert works because it is nearly abstract before anything is added, and a landscape of scarcity shapes the people living in it.

Yayoi Kusama Infinity Dots Poster

From: 20,40 €
Yayoi Kusama Infinity Dots Poster showcases Yayoi Kusama's iconic artwork "Infinity Dots". Against a clean background, bold black dots take center stage, creating a visually striking composition. The poster's bold typography complements the powerful presence of the dots, inviting viewers to immerse themselves in Kusama's immersive and repetitive style.

Kandinsky Exhibition 1961 Poster

From: 20,40 €
A dense composition at poster scale: circles, triangles and crossing lines packed into a square, information set small and quiet along the base. Post-war retrospectives had to carry an entire visual argument on one sheet, so the picture was the argument and the type was only the address of the

Cute Piggy Poster

From: 20,40 €
The Cute Piggy Poster is the perfect way to add a dash of cuteness and positivity to any room. Featuring a charming piglet illustration, it's a delightful piece for nurseries or playful spaces.

Onigira Hot Rice Balls Poster

From: 20,40 €
Japanese snack culture made the rice ball an everyday thing and this poster turns it into a small act of bravado: a dragon coiled around the heat. The drawing stays tight, the palette narrow and the date sits quietly at the foot of the sheet the way a printer would

Bauhaus Ausstellung Poster

From: 20,40 €
Bars, rectangles and lettering fitted on a strict grid, colour separating one plane from another rather than decorating. Bauhaus exhibitions were arguments made in public and the posters announcing them were designed under the same rules as the objects inside, which is why they look like plans. The lettering was

The Velvet Underground and Nico Poster

From: 20,40 €
A single yellow banana, printed with visible screen texture, black type above it in a compressed grotesque: THE VELVET UNDERGROUND & NICO. Nothing else — no photograph, no credits, no border. The most recognisable fruit in music. Pigment print on 210 gsm Hahnemühle paper, sizes from 30×40 to 70×100 cm plus

Matsutani Propagation Poster

From: 20,40 €
The Matsutani Propagation Poster is an arresting display of Takesada Matsutani's unique artistic vision, blending bold forms with deep, resonant colors. This poster embodies the spirit of innovation and is a vibrant tribute to the Gutai movement's legacy.

Hartley Floral Art Poster

From: 20,40 €
Flowers arranged as emblems rather than as a bouquet: heavy outlines, saturated colour, stems and petals stacked frontally until depth disappears. Marsden Hartley painted flowers late in a career spent moving between Europe and America, giving them the same construction he used for insignia, uniforms and his memorial paintings.

Blue 01 Abstract Poster

From: 20,40 €
A single field of blue, worked so the surface is uneven: some areas denser, some almost transparent, edges soft where the colour stops, no subject at all. Monochrome painting asked how much can be removed before an image stops working and a field of colour can hold a wall better

Urban Expression Basquiat Art Poster

From: 20,40 €
A figure assembled from parts rather than described, with sketches, lists and diagrams crowding the wall behind it as though the notebook page had become the picture, the face the only area modelled with care. This way of painting people comes out of the street rather than the studio: a

Abstract Hartley Art Poster

From: 20,40 €
Bold shapes stacked and outlined in black, colour pushed forward, the composition as frontal and symmetrical as a flag, nothing modelled. Marsden Hartley used the vocabulary of European modernism, flat planes, heavy outlines, to describe emblem, insignia and memorial and the work reads as both abstraction and sign.

Onchi Koshiro Art Poster

From: 20,40 €
Shapes that look carved rather than drawn: a face or a form built from overlapping blocks of colour, edges rough where the block was cut, the paper showing through. Onchi Kōshirō was one of the founders of the sōsaku-hanga movement, which argued that a print should be the artist’s own

Zoo Flamingo Vintage Poster

From: 20,40 €
A flamingo in flat colour against a plain ground, the bird reduced to a curve of neck, a body and two thin legs, lettering above and below. Zoos advertised themselves as places of wonder long before they called themselves institutions of conservation, and the poster used the animal as a

Hungry Godzilla Poster

From: 20,40 €
A creature drawn at the scale of a city block, jaws open, buildings reduced to small shapes below, colour saturated, the whole sheet on a low angle. Japanese kaiju posters of the 1950s and 1960s established that grammar and the imagery travelled worldwide as a language needing no translation.

Hasui Temple Nara Poster

From: 20,40 €
A temple seen through rain, the roof one dark shape, steps and courtyard suggested by horizontal lines, the falling rain drawn rather than painted. Kawase Hasui worked in the shin-hanga tradition, which revived the woodblock for landscape and its central subject was weather: snow, rain, dusk and the moment a

Matisse Decoupes Paris Poster

From: 20,40 €
Large cut forms spread across a pale ground, some open like leaves, some solid like stones, lettering small at the base, the shapes barely overlapping. The cut-out method belonged to the last phase of Matisse’s working life: sheets painted flat, then cut, then moved until the arrangement held.

Fusion Gallery Floral No 4 Poster

From: 20,40 €
Large floral forms in flat colour, overlapping so petals read as planes rather than as a bouquet, no vase, no table, the edges cutting into the composition. A contemporary graphic using the grammar of mid-century botanical printing, at a scale those printers rarely had. Colour carries the composition; line is

Matisse Papier Decoupes Poster

From: 20,40 €
Shapes pinned flat against a ground: a leaf, a spiral, a jagged form, each a single colour with no shading, the pieces overlapping as though arranged on a table. Cutting coloured paper gave Matisse a way of drawing with scissors and the blade replaced the brush as the maker of

Matsutani In The Morning 01 Poster

From: 20,40 €
A single geometric form rising from a flat ground, edges hard and colour even, a thin horizontal band holding the composition at rest. Japanese abstract printmaking of the post-war decades often reduced a landscape to its simplest structure: a horizon, a rising form and one change of tone.

Yayoi Kusama Butterfly Poster

From: 20,40 €
A butterfly drawn over a dark ground, its wings built from rows of small pale dots rather than from outline or shading, so the insect eventually stops separating from the field behind it. The dot has been this artist's central device since the 1950s, a way of dissolving a shape

Matisse Blue Poster

From: 20,40 €
Brighten your space with the Matisse Blue Poster, a vibrant tribute to Matisse's revolutionary artistry. Perfect for aficionados of bold color and form.

Matsutani Red Sun Signal Poster

From: 20,40 €
Embrace the boldness of the Takesada Matsutani Red Sun Signal Poster, an iconic piece that captures the essence of Gutai art. A striking collectible that speaks volumes in its simplicity

Keep Your Fire Escapes Clear Poster

From: 20,40 €
A warning reduced to a graphic: simple drawing, large blunt lettering, colour used to demand attention rather than to please. Mid-century civic signage applied the same discipline as commercial posters, because the message had to work without anyone choosing to look. It was read by people walking past at speed,

Taguchi Tomoki Woodblock XI Poster

From: 20,40 €
A bird or a flower drawn with an outline of even weight, colour laid inside the line in flat areas, the background left as paper. The print belongs to Yatsuo no tsubaki, the series Taguchi Tomoki made between 1860 and 1869, cut and printed block by block in the traditional

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