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Paris Feminin Poster
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Paris Feminin Poster

From: 20,40 €
A figure in a coat shown from the side, the garment drawn as a single shape with a belt and a hat, background reduced to a band of colour, lettering in a light serif. Fashion advertising of the mid-century sold the idea of a woman in a city rather than
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Henri Matisse Exhibition Poster
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Henri Matisse Exhibition Poster

From: 20,40 €
A single motif placed off-centre on a pale ground, cut rather than drawn, lettering small and formal beneath it, large enough to read across a room. Retrospective posters brought modern painting to people who would never stand in front of a canvas and Matisse’s cut-outs suited that treatment better than
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Sculpture of Matisse Exhibition Poster
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Sculpture of Matisse Exhibition Poster

From: 20,40 €
A sculpture photographed against a plain ground, the body seen from behind and above, the surface left rough where the material was worked. Matisse worked in sculpture throughout his life, returning to the same few poses for decades and simplifying them each time until the figure became a sequence of
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Leger 1987 Exhibition Poster
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Leger 1987 Exhibition Poster

From: 20,40 €
Bold tubular forms in strong colour, arranged so they overlap and interlock, with black outlines holding each shape together. The poster commemorates a 1987 exhibition of Fernand Léger’s work and reproduces the vocabulary he built between the wars: cylinders, pistons, pipes and flat colour treated with the confidence of engineering
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Van Gogh 1960 Exhibition Poster
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Van Gogh 1960 Exhibition Poster

From: 20,40 €
A painting reproduced at poster scale: heavy brushwork, strong complementary colour, a subject that reads at a distance even when detail dissolves. Retrospective posters of the post-war decades brought a painter’s surface to people who would never stand in front of the canvas. The brush marks survived the printing, which
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Frida on White Bench Poster
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Frida on White Bench Poster

From: 20,40 €
A seated figure on a plain white bench, drawn frontally, the gaze held straight at the viewer, the background almost empty. Frida Kahlo painted her own life with a directness unusual for her time, her work entered the public domain in Europe in 2025, seventy years after her death.
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James Brown Show Poster
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James Brown Show Poster

From: 20,40 €
A figure caught mid-movement, hard outlines filled with flat colour, lettering loud and slightly tilted around him, no background at all. Soul and funk shows of the 1960s were announced with posters printed cheaply and pasted fast and designers answered with exactly what the music did. The sheet was meant
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Charles Demuth Buildings Lancaster Poster
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Charles Demuth Buildings Lancaster Poster

From: 20,40 €
Factories and roofs reduced to clean geometry, cylinders, planes, diagonals, in a narrow tonal range, the sky treated as flat space. Charles Demuth belonged to American precisionism, which painted the industrial landscape without nostalgia and returned to his native Lancaster repeatedly in that idiom over three decades. The sky is
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Furious Man Poster
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Furious Man Poster

From: 20,40 €
A face pushed to the front of the sheet, eyes wide, sweat or rain drawn as highlights, background burning in a hot colour, lettering loud above the head. Action cinema of the 1970s built its posters on a single face under pressure, the crop tight, the colour hot.
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Anarchy in the UK Poster
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Anarchy in the UK Poster

From: 20,40 €
Letters cut at angles, ransom-note typography, black and white with one loud accent, nothing aligned to a grid, the sheet looks assembled rather than designed, which was the point. British punk graphics of the late 1970s came from photocopiers, scissors and impatience and advertising borrowed the look wholesale.
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Take a Kodak with You Poster
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Take a Kodak with You Poster

From: 20,40 €
A landscape with a figure in the foreground holding a small camera, the scene behind reduced to bands of colour, lettering set as a line across the lower third. Camera advertising between the wars sold memory rather than optics: take the picture, keep the day and the formula survived into
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Jimi Hendrix Experience Poster
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Jimi Hendrix Experience Poster

From: 20,40 €
A portrait broken into high-contrast colour, the lettering wrapping around the figure instead of sitting above it, the whole sheet built on one diagonal. Late-1960s concert posters were printed cheaply and pasted on walls; the Jimi Hendrix Experience stood at the centre of that moment and its posters became the
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Le Corbusier Mains croisees sur la Tete PosterLe Corbusier Mains croisees sur la Tete Poster
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Le Corbusier Mains croisees sur la Tete Poster

From: 20,40 €
A figure with the hands crossed behind the head, the body drawn once in outline and then filled with colour that ignores the drawing, the face the only place where the line follows anatomy. The method belongs to an architect who drew and painted every morning before turning to buildings.
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Stuart Davis Carrefour Poster
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Stuart Davis Carrefour Poster

From: 20,40 €
A street corner taken apart into diagrams: buildings as flat blocks, a kiosk as a silhouette, shadows as single shapes of one tone, with more than half the sheet left as empty paper. The habit behind it belongs to a painter who drew his way around a city by the
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Le Corbusier Totem PosterLe Corbusier Totem Poster
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Le Corbusier Totem Poster

From: 20,40 €
A vertical stack of shapes that balances without being symmetrical: a curve here, a dark rectangle there and a small accent near the top of the sheet. The image reproduces Composition pour Sculpture Totem, a design by Le Corbusier for a vertical sculpture assembled from simple solids, proportions and intervals.
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Exposition Constellations Poster
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Exposition Constellations Poster

From: 20,40 €
A field of dots and lines suggesting a map of the sky, lettering in a modern face, the composition open at the edges, colour separating groups rather than pleasing. Exhibition graphics of the post-war decades often borrowed a diagram as their central image and let structure make the argument.
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Henri Matisse Nice Poster
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Henri Matisse Nice Poster

From: 20,40 €
A window open onto a bright exterior, the interior reduced to a few flat shapes, the view suggested by bands of colour rather than detail. Matisse worked in Nice for years and painted the same rooms and windows repeatedly, using them as a structure rather than a subject.
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Stuart Davis The Blues Poster
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Stuart Davis The Blues Poster

From: 20,40 €
Two heads in the foreground, drawn large and flat, with the room behind them compressed into blocks of colour and line, and a scale that is deliberately wrong. The picture paints jazz the way jazz sounds: things at different distances pressed flat against each other, rhythm set by repetition and
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Le Corbusier Main et silex Poster
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Le Corbusier Main et silex Poster

From: 20,40 €
A hand and a stone drawn with a single continuous line, the fingers open, the stone held between them, the background blank. Main et silex is a drawing by Le Corbusier and it belongs to a habit he kept for decades: the sketch as a public argument rather than a
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Vespa Poster
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Vespa Poster

From: 20,40 €
A scooter drawn side-on with a clean contour, the body in one colour, wheels and handlebars suggested with a few lines, lettering small and tidy below. Mid-century advertising understood that an object drawn simply travels further than one photographed in detail, the silhouette does the remembering. Nothing is added that
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San Francisco Film Festival Poster
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San Francisco Film Festival Poster

From: 20,40 €
A graphic reduced to a few shapes and one idea: a form suggesting a screen, a beam or an eye, set on a flat ground with the title in clean type. The poster belongs to the graphic tradition that grew out of film title design in the 1950s and 1960s,
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Paul Klee Motif From Hammamet Poster
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Paul Klee Motif From Hammamet Poster

From: 20,40 €
A grid of small colour fields, each slightly different, drawn rather than ruled, pale and close in value, a structure of patches, not a picture. In 1914 Klee travelled to Tunisia and wrote that colour had taken hold of him; the mosaic-like surface he developed afterwards shaped graphic design as
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Paul Klee Blossoming Poster
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Paul Klee Blossoming Poster

From: 20,40 €
Paul Klee Blossoming Poster's vibrant backdrop, colorful and intricate lines depict blooming flowers. The bold typography complements the artwork, capturing Klee's unique artistic style and inviting viewers to celebrate the joy and beauty of nature.
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Egon Schiele Seated Woman with Legs Poster
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Egon Schiele Seated Woman with Legs Poster

From: 20,40 €
A woman seated with her legs drawn across the sheet at an angle, knees sharp, hands clasped, clothing reduced to a few dark shapes, most of the paper left bare. Schiele drew the body as something seen up close and without comfort and the bare ground is part of the
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Joan Miro 1948 Exibition Poster
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Joan Miro 1948 Exibition Poster

From: 20,40 €
Joan Miro 1948 Exibition Poster showcases the unique artistic style of Joan Miró. With a harmonious blend of abstraction and surrealism, the poster features vibrant colors, playful forms, and spontaneous brushwork. It serves as an alluring invitation to explore Miró's imaginative and whimsical world, encapsulating the essence of his artistic
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Vintage Expo Paris PosterParis Berlin
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Vintage Expo Paris Poster

From: 20,40 €
Industry laid out as a composition: a central structure, figures in motion, lettering above and below like a fairground announcement. World fairs presented products, colonies and ideas of the future all in one park, and their posters had to work at the scale of a boulevard. Seen from a distance.
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Basquiat Warrior Poster
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Basquiat Warrior Poster

From: 20,40 €
Jean-Michel Basquiat, Warrior: a skeletal figure striding out of a blue and ochre field, a white sword raised in one hand, a halo of thorns scratched around its head, the ribs drawn in white sticks. Paint laid on in slabs, chalk lines over the top, nothing finished and nothing accidental. Pigment
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Yayoi Kusama Fruits Poster
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Yayoi Kusama Fruits Poster

From: 20,40 €
Fruit shapes drawn large and covered in dots, each set against a ground of a single colour that pushes the object forward, the pattern following the curve of the form so the fruit looks wrapped rather than decorated. The strategy takes something ordinary and makes it insistent: a fruit repeated
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New York Fly Poster
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New York Fly Poster

From: 20,40 €
A skyline reduced to a cluster of vertical shapes seen from the water, an aircraft crossing the upper part of the sheet, colour flat, perspective slightly raised. Air travel advertising of the 1950s and 1960s sold time and altitude: the city reachable in an evening, seen from above.
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Italy Railway Travel Poster
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Italy Railway Travel Poster

From: 20,40 €
A landscape along a diagonal: a lake in the middle distance, hills behind, a shoreline in front, lettering small at the base. Railway companies sold scenery as much as seats and Italian posters of the 1920s and 1930s answered with three bands of colour and one horizon. The restraint is
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Paris for the Weekend Poster
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Paris for the Weekend Poster

From: 20,40 €
A city reduced to a few landmarks seen from above, a river bending through them, the sky pale and wide, the lettering confident and set high. The weekend trip became a mass idea in the 1950s and 1960s, when flying stopped being exceptional and airlines began selling the city rather
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Aeropostale Vintage Poster
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Aeropostale Vintage Poster

From: 20,40 €
AEROPOSTALE across the top in a heavy blue band, then a red and cream mail plane banking over palms, a sugarloaf mountain and a small white church tower. Below it: SERVICO POSTAL AEREO, EUROPA – AFRICA – SUL AMERICA, and the company’s office address in Rio. Pigment print on 210 gsm
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Colorful posters: saturated ink, on purpose

Before colour was a lifestyle, it was a selling tool. Posters were printed in four or five flat inks because that was what a press could run, and the limitation produced images that shout from across a room without a single gradient. That is still the most reliable way to brighten a wall: not a photograph with the saturation pushed up, but a design built out of flat areas.

What is in this collection

How to put colour on a wall without wrecking it

One is a statement, two are a pair, five are a mess — unless the five share a palette. The rule that saves most walls is to let a single poster carry the colour and keep everything around it quiet: white paint, wood, one plant, nothing else framed.

If you want more than one, pick them by the dominant hue rather than by subject. Three prints built on red-orange will read as a collection even when one is a car race and another is a film bill; three prints in unrelated bright hues will read as clutter no matter how good each one is.

Frames change the colour

A black frame raises contrast and makes flat ink look harder, which suits the advertising and film sheets. A thin oak frame softens everything and is the better choice for the travel and food posters. A wide white mount is the third option, and the one that lets a very loud print sit in a calm room without dominating it.

Keep the poster out of direct sun: flat areas of ink fade evenly, and an evenly faded poster looks like a printing error rather than an old print. For a quieter palette with the same era, see travel; for the concert side, music; if you are choosing a colour to build a room around, start from the colour index.

Sizes, paper and delivery

Pigment print on 210 gsm Hahnemühle paper, sizes from 30×40 to 70×100 cm plus A3 and A2. Frame not included. Orders leave the studio within 24 business hours and arrive in 3–5 working days inside the EU, in a tracked tube.

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