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Speed Underground Poster

From: 20,40 €
A transport graphic built on repetition: wheels, rails or lines converging, lettering in a geometric face pushed into the composition rather than above it. Public transport advertising had to sell speed to people who had never travelled quickly and it answered with abstraction. The result had to be understood from

Yayoi Kusama 1987 Exhibition Poster

From: 20,40 €
Yayoi Kusama 1987 Exhibition Poster represents Yayoi Kusama's 1987 exhibition at the Musee d'Art Moderne De La Ville De Paris. Against a clean background, bold black dots take center stage, showcasing Kusama's iconic motif. The bold typography complements the dots, capturing the essence of Kusama's avant-garde art and inviting viewers

Kandinsky Yellow Red Blue Poster

From: 20,40 €
Three colour masses arguing across a pale ground: yellow pulling to one corner, red pressing in from another, a blue curve cutting between them. Kandinsky taught at the Bauhaus and used colour as a system there, assigning weight and direction to hues and treating composition as their relation.

Kandinsky Small Worlds IV Poster

From: 20,40 €
A composition built around one thick black ring: diagonal bars in teal, orange and grey cutting across it, a grey bird form, a black chequerboard wedge, small eyes and triangles scattered around, and thin black lines running through everything like wire. Pigment print on 210 gsm Hahnemühle paper, sizes from 30×40

Kandinsky Small Worlds I Poster

From: 20,40 €
Thin lines and translucent shapes stacked so that they overlap without hiding each other, like glass laid on paper, triangles and arcs holding the centre. Kandinsky made a portfolio of prints in the early 1920s, testing how far abstraction could go while still holding together as a picture.

Kandinsky Violet Poster

From: 20,40 €
Kandinsky Violet Poster captivates with its ethereal depiction of the color, inviting viewers to explore the depths of their imagination. Through clean lines and elegant typography, the poster serves as a portal to Kandinsky's spiritual exploration, evoking a sense of transcendence and personal interpretation. It stands as a testament to

Kandinsky Four Parts Poster

From: 20,40 €
Four zones of colour held inside a frame, each built from circles, angles and crossing lines that seem to be in motion, nothing centred, nothing at rest. Kandinsky argued that painting should work like music, colour and form carrying feeling without describing anything. The picture is an argument about balance

Kandinsky Color Study Poster

From: 20,40 €
Small patches of colour across a pale ground, each enclosed by a drawn boundary, some touching and some held apart, circles meeting squares. The sheet reproduces a colour study by Wassily Kandinsky of the kind he made while teaching at the Bauhaus in the 1920s, where hue was treated as

Stuart Davis Landscape Space No. 4 Poster

From: 20,40 €
Three colours doing all the work, with heavy black lines weaving between them so no shape sits quietly, space flattened and rhythm set by intervals of colour. The reduction to a handful of tones and an insistent line came out of American painting between the wars, when structure was borrowed

Bauhaus Ausstellung 1923

From: 20,40 €
A composition on a strict grid with a strong vertical axis, geometric forms overlapping a central column, lettering drawn as one of the shapes. The school’s first public exhibition, held in Weimar in the summer of 1923, was designed as an argument in itself: buildings, products and printed matter obeying

Bauhaus Weimar Ausstellung Poster

From: 20,40 €
The Bauhaus Weimar Ausstellung poster is a striking visual homage to the revolutionary 1923 design exhibition, showcasing the minimalist aesthetic and innovative spirit of the Bauhaus movement. With its sharp geometric forms and a bold, reductive color palette, this poster captures the essence of a transformative era in design and

Fusion Gallery Blue No 6 Poster

From: 20,40 €
A blue field broken by a few darker shapes cutting diagonally across it, corners empty, centre unresolved, no subject and no horizon at all. A contemporary graphic in the tradition of mid-century abstract printing: flat colour, hard edges, no attempt to suggest depth, one hue at a time.

Fusion Gallery Blue No 4 Poster

From: 20,40 €
A blue field with two darker shapes cutting in from opposite corners, leaving a diagonal passage of lighter colour between them, nothing modelled, edges hard. A contemporary graphic in the tradition of mid-century abstract printing, working one hue at a time so the pieces read as a set.

Bauhaus Circles Poster

From: 20,40 €
Circles of different sizes on a flat ground, overlapping in a rhythm that carries the eye across the sheet, colour applied solid with no shading at all. The Bauhaus taught that circle, square and triangle were the raw material of design and students spent months on these forms before composing

Fusion Gallery Blue No 5 Poster

From: 20,40 €
A field of blue built from overlapping shapes, some sharp and some soft, the edges of the sheet cutting into the composition rather than closing it. A contemporary graphic in the tradition of mid-century abstract printing: flat colour, hard edges, no attempt at depth. The series works one hue at

Bauhaus Dots Poster

From: 20,40 €
A field of circles on a grid, some filled, some open, sizes repeated in a rhythm across the sheet, no shading, no subject. The school taught that basic shapes were the raw material of design and that composition meant the relation between them, the arrangement is the picture.

Geometric posters and the order they bring

Nothing in this collection is drawn loosely. Every edge has been placed, and the colour is laid on in flat areas rather than modelled, which is what keeps the shape readable instead of softening it.

That makes these prints unusually good at a job most pictures fail at: holding a large empty wall without adding another texture to the room.

Why geometry works on a wall

A geometric print gives the eye somewhere to go. On a blank wall, a grid or a set of concentric circles sets up a rhythm the room did not have, and it does it without competing with furniture, plants or a rug.

It also survives change. You can repaint, move the sofa, change the rug — the print still reads, because it was never describing a scene that had to match anything.

Where these prints belong

Wide walls above a sofa or a sideboard, stairwells, corridors, home offices. A single large piece at 70×100 cm is usually better than three small ones; if you want a group, keep the frames identical and the spacing even.

For the softer end of the same idea, see minimal; for the historical version, the Bauhaus prints are where most of this language was written.

Sizes, paper and delivery

Pigment print on 210 gsm Hahnemühle paper, sizes from 30×40 to 70×100 cm plus A3 and A2. Frame not included. Orders are dispatched within 24 hours and arrive in 3–5 working days in the EU, in a tracked tube.

Also worth a look: Picasso for geometric portraits, and Kandinsky for geometry that behaves like music.

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