Posters by colour: start from the wall, not the name

Every page here holds work that shares a dominant tone. Black and brown are the quiet ones — they hold a room together without asking for attention. Blue and green cool a space down; red and yellow do the opposite, and they do it immediately.

The grouping is a starting point, not a rule. Plenty of these posters belong to two pages at once: a Bauhaus print can be red and geometric, a Japanese woodblock can be blue and botanical.

How to use a colour page

Decide what the room is missing rather than what it already has. A room full of wood and clay usually wants one cool note; a white room that feels unfinished wants one warm one. Pick the shade the space lacks and the wall starts doing work for you.

A single strong colour carries further than a careful mix of several. If you are buying two posters, let one lead and keep the other quiet — see minimal for prints that will not fight back.

Which tone goes where

• Black — hallways, studies, anywhere the wall is beside a door or a shelf.
• Blue — bedrooms and bathrooms; it reads as distance and air.
• Red — one accent wall, never two. It advances and stays forward.
• Yellow — kitchens and children's rooms; it is the closest thing to daylight on a wall.
• Green and brown — rooms with plants, wood floors and clay; they sit beside natural materials rather than on top of them.

Paper, sizes and delivery

Everything is a pigment print on 210 gsm Hahnemühle paper, in sizes from 30×40 to 70×100 cm plus A3 and A2. Frames are not included — a thin black or natural oak frame keeps flat colour clean. Orders ship within 24 hours and arrive in 3–5 working days inside the EU, in a tracked tube.

Not sure where to start? The iconic collection and the geometric prints are the two easiest entry points.