Blog

Almost every poster that looks wrong hangs too high. The numbers that fix it, for sofas, beds, consoles and low ceilings, plus how to mark the wall before committing.

Why posters made to sell a train or a ski resort still work on a modern wall, which sizes suit a room, and why a vintage poster should be framed

Every size we print, in cm and inches, with what each looks like above a sofa, a bed and a console, plus the hanging heights that work in a normal

Van Doesburg never held a Bauhaus post and still shaped how the school printed. What De Stijl asked for, and why these posters want a thin frame and an empty

Most posters ask to be looked at. Yves Klein's Princess Helena takes the wall over, and this is what the work is and how to hang a print this strong.

Picasso removed the background, Taguchi removed everything around the subject. What each one asks of a wall, and why two minimalist prints should not share one.

Mixing poster styles works when the frames match, one print anchors the group and a single colour repeats. What to pick, what breaks the wall, and how far apart to

What 210 gsm matte Hahnemühle paper changes about a print: no glare, quieter colour, visible grain close up, and why it does not need glass.

Bauhaus in a normal flat, one geometric print, primary colour as a small accent, plain wall and thin frame. Where it works and where it turns into a catalogue.

Dots dissolve the pumpkin into pattern, the outline keeps it readable. Why the print reads as Halloween, and which colour stays on the wall after October.

Japanese prints work in a modern flat because of the empty paper, the flat colour and the small formats. Which motifs suit a kitchen, a hallway and a bedroom wall.

An art wall is one composition, not a collection. How many prints, which sizes, how far apart, and the two rules that decide whether a mixed wall holds.