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Hilma Af Klint Tree of Knowledge No. 1 Poster

From: 90,00 zł
Symmetrical forms around a central axis, delicate line work and pale colour on a light ground. Hilma af Klint made abstract compositions years before the artists usually credited with inventing abstraction and kept most of them private, this sheet looks closer to a chart or a botanical study than to

Female Seated Model Lundstrom Poster

From: 90,00 zł
A woman seated on a low stool, body turned away, head tilted down, the back drawn as one continuous curve, the colour warm and thin. Studio drawing was the foundation of artistic training and painters who kept that habit carried its economy, its drawn rather than described figure, into finished

Hilma Af Klint Tree of Knowledge No. 6 Poster

From: 90,00 zł
Fine lines arranged in a symmetrical structure, circles and arcs repeating around an axis, colour applied in pale washes that overlap where the shapes meet. The abstract series behind it treat geometry as a language for things that cannot be shown directly, with colour used as notation rather than decoration.

Expo 78 Paris Berlin Poster

From: 90,00 zł
Overlapping forms in strong colour, lettering on two axes, a composition that refuses symmetry and looks constructed rather than drawn. In 1978 a major Paris exhibition examined the cultural relationship between Paris and Berlin in the early twentieth century and borrowed its graphics from the period it described.

Bauhaus Ausstellung 1923

From: 90,00 zł
A composition on a strict grid with a strong vertical axis, geometric forms overlapping a central column, lettering drawn as one of the shapes. The school’s first public exhibition, held in Weimar in the summer of 1923, was designed as an argument in itself: buildings, products and printed matter obeying

Matisse Landscape Poster

From: 90,00 zł
A landscape reduced to overlapping fields of colour, hills as curves and trees as flat shapes, the sky one tone from edge to edge. The painting reproduced here was made by Henri Matisse in 1905 at Collioure, in the summer that gave the Fauves their name, with colour used as

Klee and Kandinsky Poster

From: 90,00 zł
Two graphic languages on one sheet: geometric forms held in strict relation on one side, softer drifting shapes on the other, flat colour throughout. Kandinsky and Klee taught side by side at the Bauhaus and their friendship shaped the school’s thinking about colour, form and the line as a record

Basquiat Warrior Poster

From: 90,00 zł
Jean-Michel Basquiat, Warrior: a skeletal figure striding out of a blue and ochre field, a white sword raised in one hand, a halo of thorns scratched around its head, the ribs drawn in white sticks. Paint laid on in slabs, chalk lines over the top, nothing finished and nothing accidental. Pigment

Typographic Symphony Poster

From: 90,00 zł
Enormous lowercase letters stacked and overlapping across the sheet, printed in black over bands of blue diagonal stripes, with red letters and thin red rules cutting through. The text is unreadable on purpose — this is lettering treated as texture, rhythm and weight. Pigment print on 210 gsm Hahnemühle paper, sizes

Bauhaus Weimar Ausstellung Poster

From: 90,00 zł
The Bauhaus Weimar Ausstellung poster is a striking visual homage to the revolutionary 1923 design exhibition, showcasing the minimalist aesthetic and innovative spirit of the Bauhaus movement. With its sharp geometric forms and a bold, reductive color palette, this poster captures the essence of a transformative era in design and

Yayoi Kusama Fruits Poster

From: 90,00 zł
Fruit shapes drawn large and covered in dots, each set against a ground of a single colour that pushes the object forward, the pattern following the curve of the form so the fruit looks wrapped rather than decorated. The strategy takes something ordinary and makes it insistent: a fruit repeated

Yoshitoshi Calligraphic Art Poster

From: 90,00 zł
Brushwork that behaves like weather: strokes thick then thin, ink pooling at the edges, composition built from the direction of the hand rather than a drawn outline. Tsukioka Yoshitoshi worked in the last decades of Japanese printmaking’s great century, where calligraphy and image carried the same authority and a single

Bauhaus Circles Poster

From: 90,00 zł
Circles of different sizes on a flat ground, overlapping in a rhythm that carries the eye across the sheet, colour applied solid with no shading at all. The Bauhaus taught that circle, square and triangle were the raw material of design and students spent months on these forms before composing

Braque La Bibliotheque Art Poster

From: 90,00 zł
Birds drawn with a single contour and no interior detail, their shapes repeated across a blue field brushed on unevenly that stops where it stops. Late in a long career, a painter who had spent decades taking still lifes apart returned to birds and kept drawing them the same way:

Moon Series Artistic Poster

From: 90,00 zł
A moon reduced to a disc, its surface suggested by a few textured marks, the sky a flat field of colour, composition centred and scale deliberately ambiguous. It could be graphic or a portrait. Images of the moon sit between illustration and diagram and contemporary graphic work borrowed both habits

Taguchi Tomoki Woodblock IX Poster

From: 90,00 zł
A single stem rising across the sheet, leaves at intervals, a bird or an insect placed where the eye lands last, contour even, colour inside the line. Woodblock printing was a joint production of designer, cutter and printer and that division of labour produced a discipline visible in the result.

Bauhaus Dots Poster

From: 90,00 zł
A field of circles on a grid, some filled, some open, sizes repeated in a rhythm across the sheet, no shading, no subject. The school taught that basic shapes were the raw material of design and that composition meant the relation between them, the arrangement is the picture.

Matisse Cut-Outs Exhibition 1970 Poster

From: 90,00 zł
The Matisse Cut-Outs Exhibition 1970 Poster brings a splash of Matisse's creative genius to your wall. Reflecting his iconic cut-out technique, this poster features colorful foliage designs that symbolize his innovative artistry. Ideal for modern art lovers, it's a historical nod to Matisse's exhibition in Copenhagen.

A map of the whole collection

There are four ways in. Movements group the work historically — Bauhaus, Scandinavian, Japanese, iconic images. Subjects group it by what the picture shows. Colour groups it by tone. Mood groups it by what the wall needs.

Nothing here is ranked. The order is a convenience, and the right way through it is the one that ends with a picture you want to live with.

The four entrances

  • Bauhaus — the school that redesigned the everyday, and its exhibition prints.
  • Scandinavian — light, silence and rooms with very little in them.
  • Japanese — woodblock birds, plants and calligraphy.
  • Iconic — images that arrive already familiar.
  • Matisse and the paper cut-outs, if you want colour first.
  • Collections — floral, travel, music, film, ski, kids, geometric, minimal.
  • Colour — black, blue, red, yellow, brown, green.

How to move through it

Pick one entrance and stay for two pages, then stop and choose. Browsing four branches at once usually ends in nothing being decided, because the eye keeps resetting.

If you already know the artist, skip this page entirely and go through artists; if you know the wall but not the picture, start with colour.

Sizes, paper and delivery

Every poster is a pigment print on 210 gsm Hahnemühle paper, from 30×40 to 70×100 cm plus A3 and A2, frame not included. Dispatch within 24 hours, 3–5 working days in the EU.

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